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ACTA NEOPHILOLOGICA - Filozofska fakulteta - Univerza v Ljubljani
ACTANEOPHILOLOGICA
43
1-2
20
10
ACTANEOPHILOLOGICA
43. 1-2 (2010)
Ljubljana
MIRKO JURAK
W. SHAKESPEARE AND SLOVENE DRAMATISTS (II): J. JURČIČ, F. LEVSTIK, I. CANKAR,
O. ŽUPANČIČ, B. KREFT
•
VANJA AVSENAK
SLOVENE CRITICS ON SINCLAIR LEWIS’S NOVELS
•
JERNEJA PETRIČ
HIGH OR POPULAR LITERATURE? – JOHN UPDIKE’S RABBIT SERIES
•
LEONORA FLIS
THE BLENDING OF FACT AND FICTION IN THREE AMERICAN DOCUMENTARY
(CRIME) NARRATIVES
•
JULIJA POTRČ
FEAST OF FOOLS: THE CARNIVALESQUE IN JOHN KENNEDY TOOLE’S
A CONFEDERACY OF DUNCES
•
ROMI ČEŠČUT
GENERATION X IN SLOVENIA
•
MATEVŽ KOS
FRIEDRICH NIETZSCHE ZWISCHEN PHILOSOPHIE UND LITERATUR
•
JANEZ STANONIK
KARL HEINZ GÖLLER (1924-2009): IN MEMORIAM
•
BOŠTJAN MARKO TURK
L’ACTUALITÉ DE L’ŒUVRE DE PIERRE CORNEILLE
•
KATARINA MARINČIČ
UN ROMAN POUR LA GÉNÉRATION DOT.COM? LE COMTE DE MONTE-CRISTO DANS
L’ADAPTATION DE STEPHEN FRY
•
IRENA PROSENC ŠEGULA
“IN VIAGGIO VERSO IL NULLA” – PRIMO LEVI
•
ALENKA DIVJAK
ST MILDRITH IN GOSCELIN’S VITA DEO DILECTAE VIRGINIS MILDRETHAE
ACTANEOPHILOLOGICA
43. 1-2 (2009)
Ljubljana
MIRKO JURAK
W. SHAKESPEARE AND SLOVENE DRAMATISTS (II): J. JURČIČ, F. LEVSTIK, I. CANKAR,
O. ŽUPANČIČ, B. KREFT ............................................................................................... 3
•
VANJA AVSENAK
SLOVENE CRITICS ON SINCLAIR LEWIS’S NOVELS ........................................................ 49
•
JERNEJA PETRIČ
HIGH OR POPULAR LITERATURE? – JOHN UPDIKE’S RABBIT SERIES .............................. 59
•
LEONORA FLIS
THE BLENDING OF FACT AND FICTION IN THREE AMERICAN DOCUMENTARY (CRIME)
NARRATIVES .............................................................................................................. 69
•
JULIJA POTRČ
FEAST OF FOOLS: THE CARNIVALESQUE IN JOHN KENNEDY TOOLE’S A CONFEDERACY
OF DUNCES ................................................................................................................ 83
•
ROMI ČEŠČUT
GENERATION X IN SLOVENIA ...................................................................................... 93
•
MATEVŽ KOS
FRIEDRICH NIETZSCHE ZWISCHEN PHILOSOPHIE UND LITERATUR ............................... 107
•
JANEZ STANONIK
KARL HEINZ GÖLLER (1924-2009): IN MEMORIAM ........................................................... 121
•
BOŠTJAN MARKO TURK
L’ACTUALITÉ DE L’ŒUVRE DE PIERRE CORNEILLE ....................................................... 129
•
KATARINA MARINČIČ
UN ROMAN POUR LA GÉNÉRATION DOT.COM? LE COMTE DE MONTE-CRISTO DANS
L’ADAPTATION DE STEPHEN FRY ................................................................................. 135
•
IRENA PROSENC ŠEGULA
“IN VIAGGIO VERSO IL NULLA” – PRIMO LEVI .............................................................. 145
•
ALENKA DIVJAK
ST MILDRITH IN GOSCELIN’S VITA DEO DILECTAE VIRGINIS MILDRETHAE ....................... 155
1
ACTANEOPHILOLOGICA SLO ISSN 0567-784
University of Ljubljana – Univerza v Ljubljani
Slovenia – Slovenija
Editor (Urednik): Mirko Jurak
Associate Editor (Pomočnik urednika): Igor Maver
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Frančiška Trobevšek-Drobnak
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2
UDK 821.163–2.09"1876/1932":821.111–2.09 Shakespeare W.
WILLIAM SHAKESPEARE AND SLOVENE DRAMATISTS (II):
J. JURČIČ, F. LEVSTIK, I. CANKAR, O. ŽUPANČIČ, B. KREFT
(THE MAKERS OF MYTHS)
Abstract
Mirko Jurak
The purpose of this study is to explore the influence of William Shakespeare on Slovene
playwrights in the period between 1876, which marks the appearance of Jurčič – Levstik’s
Tugomer, and the 1930s, when Oton Župančič published his tragedy Veronika Deseniška
(Veronika of Desenice, 1924) and, a few years later, Bratko Kreft his history, Celjski grofje
(The Counts of Celje, 1932). Together with Cankar’s works all of the plays discussed in this
study deal with one of the well-known Slovene myths.
In the previous number of Acta Neophilologica I published my study on the first
Slovene tragedy Miss Jenny Love, which was published in Augsburg in 1780. 1 The Romantic
period, which followed this publication, was in Slovenia and elsewhere in Europe mainly
characterized by the appearance of poetry, with a few exceptions of plays which were primarily
intended for reading and not for the stage (Closet Drama). Let me mention here that
in the Romantic period some of the finest Slovene poetry was written by France Prešeren
(1800-1849), and although some of his friends suggested he should also attempt to write a
play, his closest achievement to drama was his epic poem Krst pri Savici (Baptism at the
Savica River, 1836), which is also often considered by literary historians as a predecessor
of later Slovene dramatic literature.
Although many Slovene authors who wrote their works in the nineteenth century
knew Shakespeare’s plays, they still found it easier to express themselves in prose. The first
Slovene novel is Josip Jurčič’s Deseti brat (The Tenth Brother), which was published in 1866,
ten years earlier than his play Tugomer (Tugomer). However, Jurčič’s tragedy Tugomer was
artistically very much improved by the adaptation made by Fran Levstik, whose text has
been since considered as the “true” version of this play. Further editions and adaptations of
this play definitely prove that several Slovene authors have found the subject-matter of this
play worthy of new interpretations.
By the end of the nineteenth century the list of Slovene translators of Shakespeare’s
plays (most of them chose only some acts or scenes) was quite long. But it was only in 1899,
when Ivan Cankar’s translation of Hamlet appeared on stage of the Slovene National Theatre
1 My sincere thanks are due for their help to the librarians of the Slavic Department of Languages and
Literatures and to the librarians of the Department of Germanic Languages and Literatures, Faculty of Arts,
University of Ljubljana; to the staff of the Slovene Theatre Museum, Ljubljana, and to Dr Jason Blake,
Department of English, Faculty of Arts, University of Ljubljana.
3
in Ljubljana, that a real master of the Slovene language approached one of Shakespeare’s
plays. Cankar became enthusiastic about Shakespeare’s work and this is best seen also in
Shakespeare’s influence on three plays written by Cankar: Kralj na Betajnovi (The King of
Betajnova, 1901), Pohujšanje v dolini Šentflorjanski (Scandal in the Valley of Saint Florian,
1907) and Lepa Vida (Beautiful Vida, 1911). The same kind of “enchantment” caught Oton
Župančič, a Slovene poet, translator and dramatist, who had translated by 1924, when his
Veronika Deseniška (Veronika of Desenice) appeared, several plays written by Shakespeare.
A large number of echoes of Shakespeare’s plays can be found in Župančič’s play, not to
mention the Bard’s influence on Župančič’s verse and style. Such influence can also be
traced in Kreft’s play.
Many Slovene literary historians and critics mention in their studies Shakespeare’s
influence on Slovene dramatists but their reports are mainly seminal and rather generalizing.
Therefore the purpose of this study is to provide a deeper analytical insight into this topic.
Key words: William Shakespeare, his influence on Slovene dramatists (1867-1932): Josip
Jurčič, Fran Levstik, Ivan Cankar, Oton Župančič, Bratko Kreft.
4
I. INTRODUCTION
In my article on William Shakespeare and Anton Tomaž Linhart’s Miss Jenny
Love, published in 2009 in Acta Neophilologica, 2 I presented Shakespeare’s influence
on the first Slovene tragedy which was written by Linhart in 1780, and published in the
same year. 3 On the basis of numerous examples from this play I came to the conclusion
that Shakespeare’s influence on Linhart was much more important than had been previously
believed. Although plays which I shall deal with in my present article have been
discussed by a number of Slovene literary historians, the role of Shakespeare’s influence
on Slovene dramatists has often been neglected or rather generalized, made on personal
impressions of critics than on the actual textual evidence from Shakespeare’s plays.
After Linhart, and until the 1820s, there was no Slovene artist or critic who would
call the attention of our readers to the Bard. But with the beginning of the Romantic period
the situation changed quite rapidly and since then there was hardly a Slovene author or
critic who would not mention William Shakespeare and his work, either in his own writing,
or in his articles, letters, or diaries. In the Romantic period the predominant literary genre
in Slovene literature was – like in a number of other European literatures – poetry. With
the advancement of realism, the short story and the historical novel, in the second half
2 Jurak (2009, 3-43). – I have included in my text brief summaries of plays which I discuss in my study
in order to provide the basic reference for non-Slovene readers.
– Unless otherwise stated the translations from Slovene into English and vice versa were made by the
author of this article. Some titles of Slovene literary works have appeared in English in various versions; in
such cases I accepted one of them (or, in a few cases, coined a new English title).
3 Anton Tomaž Linhart (1756-1795), dramatist, historian, poet. His first play Miss Jenny Love was written
in German and published in Augsburg, Germany in 1780. It was first performed in Slovene on 20 October
1967 at the Slovene National Theatre (SNT) in Ljubljana. Linhart’s fame rests on his comedies: Županova
Micka (Molly, the Mayor’s Daughter, performed in 1789 by the SNT) and on Ta veseli dan ali Matiček se
ženi (This Happy day, or Matiček Gets Married, which was printed together with his first comedy in 1790
but, due to the censorship in the Hapsburg monarchy, not performed until 1848.). My analysis of Linhart’s
play Miss Jenny Love and particularly of Shakespeare’s influence on Linhart can be found in the above
mentioned study.
of the nineteenth century these genres acquired a much greater popularity than dramatic
art. Although the greatest Slovene poet, France Prešeren (1800-1849), mentions Romeo
and Juliet in his poem “Nova pisarija” (A new kind of writing), he did not translate into
Slovene, for example, any of Shakespeare’s sonnets or scenes from his plays, though he
did translate into Slovene the first 233 lines of Byron’s little known poetic tale “Parisina”.
In the l820s Prešeren was advised by his friends to write “a Romantic tragedy from
Carniola”, but his love for poetry prevailed and he did not feel ready to write a play on a
historical subject (Paternu 1976, 1977). Even though echoes of Shakespeare’s dramatic
style may be noticed in Prešeren’s epic poem “Krst pri Savici” (Baptism at the Savica
River) – particularly in Prešeren’s use of comparisons and metaphors (Koblar 1965: 144-5)
– Prešeren never took to drama. His friend Matija Čop had an excellent library including a
number of books written by English authors, e.g. by Thomas Moore, John Milton, Oliver
Goldsmith, Lord Byron etc. as well as thirteen plays (!) written by Shakespeare. One of
the reasons why Prešeren did not accept this challenge may also be that he had to worry
about earning money before he finally obtained a solicitor’s position (after all, poems
take less time to be written than plays). As he was one of Čop’s closest friends there is no
doubt that Prešeren had easy access to the Bard’s work. We should also remember that
this was the period when European artists greatly admired the work and ideas embodied
in the poems of Lord Byron, John Keats and P. B. Shelley. Although some English literary
historians believe that in the first half of the nineteenth century “Byron’s poetry was
greeted with an enthusiasm which his genius alone did not deserve” and that “poetry
written by Wordsworth constitutes the most important literary phenomenon of the time”
(Jack 1963: 2), the fact remains that at that time most European artists and intellectuals
interested in literature primarily admired poems written by English Romantic poets. I
believe that this was also mainly due to their passionate struggle for democratic ideals,
for a free individual as well as for the freedom and independence of nations. If we accept
this conclusion we may more easily understand not only the development of Slovene but
also of European drama of the nineteenth century. In 1848 the leading Slovene political
programme became the newly-established United Slovenia, a programme which was in
many ways very much like similar programmes of other central European countries in
which nations were not yet free and independent.
The first Slovene translations of individual scenes from Shakespeare’s plays began
to appear in various journal and periodicals in the 1850s. Some years later Slovene critics
also began to publish their own essays on Shakespeare and towards the end of the
nineteenth century their number constantly increased (Moravec 1974: 341-71). At this
time several Slovene critics and artists also expressed their wish that all of Shakespeare’s
plays be translated into Slovene, but this was a difficult task, which could only be realized
one hundred years later. Shakespeare’s first play to be performed by the Slovene
Dramatic Society (established in Ljubljana in 1867) was Othello, which was staged on
March 3, 1896. Hamlet, which in the first half of the twentieth century became Shakespeare’s
most popular play in Slovenia and was often referred to as “our folk play”, was
first produced in Slovene three years later, on December 27, 1899, by the Drama of the
Slovene National Theatre of Ljubljana (abr. as the SNG Drama). 4
4 The information regarding the programme of Slovene theatres since 1867 is available in Repertoar
slovenskih gledališč, 1867–1967 (A Repertoire of Slovenian Theatres, 1867–1967, published by the Slovenski
5
It should be mentioned though that since the sixteenth century citizens of
Ljubljana had many opportunities to see plays performed mainly by German and Austrian
travelling theatre companies. Several companies also performed plays written by
Shakespeare, or, as was common until the beginning of the nineteenth century also
elsewhere in Europe, they performed adaptations of Shakespeare’s plays. Productions
prepared by students of the Jesuit College in Ljubljana reach back to the seventeenth
century when these students also performed an adaptation of King Lear. Their activities
were important for Slovene population, because “the Jesuits also used the vernacular,
Slovene language, besides Latin and German”. 5 Many Slovene students who studied
in Vienna during the past few centuries saw Shakespeare’s plays performed there.
These intellectuals often brought back to Slovenia his plays printed either in English
or in other European languages. They also wrote about them in their letters to their
friends across Europe, and reported about them in their articles and essays published
in Slovenia and abroad.
6
II. THE THREE VERSIONS OF TUGOMER
– JOSIP JURČIČ: Tugomer (Ms. writ. in 1875; publ. in 1960). 6
– JOSIP JURČIČ and FRAN LEVSTIK: Tugomer (writ. and publ. in 1876. In this
edition only Jurčič was mentioned as the author of the play although nowadays Slovene
literary historians believe that this revised version of Jurčič’s play is mainly Levstik’s
work.) The play was first performed on 6 Feb. 1919 by the SNG Drama in Ljubljana;
still with Josip Jurčič mentioned as the only author.
– FRAN LEVSTIK and BRATKO KREFT: Tugomer (Levstik’s version adapted
by Kreft.) It was first performed on 25 Oct. 1947 by SNG Drama in Ljubljana; publ.
in 1967).
The reason why the first classical Slovene tragedy was written in several versions
is the result of the artistic problems with which the first author of Tugomer,
gledališki muzej, Ljubljana, 1967). Subsequent bibliographical compilations were published at first every
five years as Dokumenti slovenskega gledališkega muzeja (Documents of the Slovene Theatre Museum) and,
since 1993, annually under the title Slovenski gledališki letopis (Slovene Theatre Annual).
5 Grošelj 2004: 61-71.
6 Josip Jurčič (1844-1881), novelist, dramatist, journalist. Writer of historical novels, admirer of Walter
Scott. He wrote the first (prose) version of Tugomer (MS) in 1875, but this edition was published only in
1960.
– Fran Levstik (1831-1878), poet, novelist, dramatist, critic, journalist. With his essay Potovanje iz Litije
do Čateža (The Journey from Litija to Čatež, 1858) he influenced Josip Jurčič’s views on literature. He
completely revised Jurčič’s version of Tugomer, although the play was first published in 1876 only under
Jurčič’s name.
– Bratko Kreft (1905-1996), novelist, dramatist, theatre director, literary historian. His best known
histories are Celjski grofje (The Counts of Celje, 1932) and Velika puntarija (The Great Rebellion, 1937).
He adapted Levstik’s version of Tugomer for the stage, trying to follow in it the structure of Shakespeare’s
histories, several of which he produced at the SNG Drama in Ljubljana.
Josip Jurčič, was faced. He began to write Tugomer in trochaic verse, but his friend
and his literary mentor Fran Levstik advised him to use iambic pentameters, which
would suit the tragedy better. But Jurčič obviously could not realize this idea without
help and so he wrote the first version of Tugomer in prose (it appeared in print
only in 1960). Levstik offered Jurčič his help and the first printed version (based
on Levstik’s adaptation in iambic verse) was published already in 1876, but with
only Jurčič’s name mentioned as its author. Slovene literary historians (e.g. Anton
Slodnjak, Mirko Rupel, France Koblar etc.) agree that this version of Tugomer was
basically Levstik’s work.
Due to the censorship of the Hapsburg regime, the play was not allowed to be
performed in Slovene theatres until 1919, when Slovenia became a part of Yugoslavia.
Kreft’s version of Levstik’s text, which was performed after the Second World War, was
intended to make the play theatrically more vivid and structurally more in accordance
with Shakespeare’s histories and great tragedies.
The main source for Jurčič’s version of Tugomer was a description about the
fighting between the Franks and the Wends in the tenth century. It is presented in
Ludwig Giesebrecht’s book Wendische Geschichten aus den Jahren 780 bis 1182
(The History of the Wends from 780 to 1182, publ. in Berlin in 1843). This short
account (ibid. I, 142) was used by Jurčič as a parallel between the germanization of
the Wends (the Slavic people occupying the region between the Elbe and Oder rivers
in the eastern part of Germany) with the contemporary pressure of the Austrian
empire on the Slovenes in the second half of the nineteenth century. Giesebrecht’s
historical account is quoted by Mirko Rupel in Jurčič’s collected works (ZD IX, 1960:
270-71). In the German legend and in the first (Jurčič’s) prose version of Tugomer,
the hero is presented as a traitor who betrays his people because he is obsessed by his
erotic feelings for Zorislava, the widow of the former Slovene duke Čeligoj. When
Tugomer’s treason and his murder of Čeligoj become known, Zorislava kills him.
In Levstik’s version Tugomer is presented as an idealist, who trusts the Franks and
who is also himself betrayed by his “friends”. Whereas Jurčič’s version is centred on
the weaknesses of Tugomer’s character Levstik stressed in his version the drama of
ideas: a naive leader, who wishes to stop the wars between the Franks and the Slavs,
unwillingly betrays his people.
Josip Jurčič knew Raphael Holinshed’s Chronicles of England, Scotland, and
Ireland (1587) from which Shakespeare took plots for his historical plays. When Jurčič
was in Vienna (1865-1867) he studied Shakespeare and his plays 7 upon the advice of
his friend and his literary mentor Fran Levstik and it was then when he began to think
about writing a historical play. He wished to show in it how the discord among the
Slavic people and the ambitiousness of their leaders bring disaster to the whole nation.
It is obvious that Jurčič was enthusiatic about Shakespeare’s work, for in Jurčič’s best
known novel, Deseti brat (The Tenth Brother, 1866), the narrator exclaims: “Oh, thou,
great Shakespeare, the man of wisdom and knowledge”. He adds that Shakespeare could
not have thought, even in his dreams, that three hundred years later a person from Illyria
7 Jurčič mentions in his notes a study written by G. G. Gervinius, Shakespeare I, II (Leipzig 1848, 1850).
- His notes are kept at the National and University Library in Ljubljana.
7
would reach his highness. 8 Jurčič was an important Slovene journalist and in his articles
he appealed to young writers to learn how to write by reading works written by great
masters, among whom he explicitly mentions Shakespeare. 9
We can also find references to Shakespeare’s plays in Levstik’s articles. So, for
example, in one of his early works Levstik paraphrased Hamlet’s words on the purpose
of playing: “The poet’s work should be the mirror of his time, it should be the cornerstone
of national life, otherwise it is of no value, it is like a building built on a spider’s
web”. 10 In the same essay Levstik stresses the need to establish a Slovene theatre which
would not present only stories dealing with lives of peasants but also other subjects. He
stresses in this essay that historical plays should be written in such a manner which did
not demand “the knowledge … of particular historical sources”. 11 This suggestion can
be linked with Aristotle’s statement in his Poetics (ch. 9), according to which the making
of the poet is “not to speak of incidents which have come to be, but rather of incidents
which might come to be … for making speaks more of universals while history speaks
more of particulars” (Aristotle 17). Levstik also made a clear distinction between the
ethical and the aesthetic components of a play: he states that even “a great criminal,
like Shakespeare’s Richard III, who is physically a handicapped person, is nevertheless
a beautiful aesthetic character, aesthetic, but not moral” (Levstik 1955: 389). Levstik
stresses Shakespeare’s artistic greatness particularly if it is compared with the knowledge
(writing) of a historian; a view about his talent which had been so well expressed before
in John Dryden’s evaluation of Shakespeare. 12 We may conclude that in the second half
of the nineteenth century William Shakespeare was considered by Slovene artists and
critics as one of the most important European artists of all times and that his influence
on Slovene writers was considered as most positive.
An important Slovene critic and writer in the second half of the nineteenth century
was also Josip Stritar. He was not enthusiastic when the provincial assembly of Carniola
issued in 1870 an award for an original Slovene historical drama; he suggested that the
competition should be open to all dramatic genres, because even among Shakespeare’s
plays his historical works (on English national history) are not placed among his most
important works. 13 Stritar advocates the aesthetic autonomy of the arts, and he adds
that if such a limitation as prescribed by the Slovene provincial assembly were imposed
on Shakespeare then even “this great man” could not receive such an award although
he wrote such plays as Hamlet, Othello, Romeo and Juliet, Julius Caesar. Stritar also
mentions Shakespeare as a great author as compared with Byron, Prešeren, Dante,
8 Jurčič’s reference is to the Illyrians, an ancient people, who lived in the country along the eastern part
of the Adriatic Sea, which became in 168 A.D. a Roman province (Illiricum). During Napoleon’s reign
(1809-1813) the Illyrian provinces, which were set up by Napoleon, included parts of Carniola and Carinthia
(i.e. of present day Slovenia) and their capital was Ljubljana. This is why Jurčič refers here to the reader,
Manica (“a person from Illyria”), who reads Shakespeare’s Hamlet. (Shakespeare’s comedy Twelfth Night;
Or, What You Will is also set in Illyria.)
9 Štefan Barbarič, Josip Jurčič. Znameniti Slovenci. Ljubljana: Partizanska knjiga, 1986: 119.
10 Fran Levstik, “Potovanje iz Litije do Čateža” (The Journey from Litija to Čatež”), ZD IV, 1954: 27.
11 Qtd. by Mirko Rupel in Jurčič ZD IX, 1960: 267. – Zbrano delo = Collected Works, abbr. as ZD.
12 Aristotle 17. – Dryden’s evaluation of Shakespeare is also quoted in Jurak 2009: 12.
13 Josip Stritar (1836-1923), poet, writer, critic. He was one of the editors of the magazine Zvon for
which he wrote a number of critical essays. He advocated “the freedom of the arts”, their autonomy, in his
“conversations” and in his “critical letters” in his review Zvon (e.g. on 15 March 1870).
8
Goethe, Aeschylus, Sophocles, Calderon, Molière etc. 14 which undoubtedly shows his
great admiration of the Bard.
Slovene literary historian France Koblar surmises that Jurčič was stimulated to
write Tugomer by the above mentioned competition (Koblar 1972: 90). Several minor
Slovene dramatists also wrote plays on a historical subject during the final decades of
the nineteenth century, for example, Ivan Robida wrote the historical play Erazem Tattenbach
and Anton Medved Viljem Ostrovrhar. 15 The writer’s decision to write about
historical figures was probably the result of the increased awareness of Slovene national
consciousness in this period.
In the twentieth century Shakespeare’s plays were often directed in the Slovene
National Theatre in Ljubljana by Bratko Kreft. He also edited for publication the new
Levstik’s version of Tugomer, in which he mainly preserved Levstik’s text, and he directed
this version of Tugomer in the SNG Drama in Ljubljana in 1947. He also wrote a
preface to this publication and he stressed in it that Levstik’s play reflects Shakespeare’s
humanistic ideas as well as political, national and ethical ideals expressed by Lessing
and Schiller. 16
Dušan Moravec summarizes in his study on Shakespeare in Slovenia views expressed
by Slovene literary historians and critics by saying that they see Shakespeare’s
influence on Tugomer in its verse, form and structure (1974: 346). He points out that
already in 1932 Anton Slodnjak observed how Levstik had taken away from Jurčič’s
version all the Romantic, erotic connotations, and at the same time made the play sound
more archaic by his acceptance of Shakespeare’s dramatic technique. Moravec also mentions
Koblar’s afterword published in the Levstik and Kreft’s edition in which Koblar
states that even in Jurčič’s first version some elements containing “Shakespeare’s horror
and picturesqueness” may be seen. As I have already pointed out above Slovene literary
historians agree that the first published version of Jurčič’s Tugomer, which is written in
blank verse, is basically Levstik’s work. Koblar also stresses in his essay that ideas which
were relevant for Slovene history in the nineteenth century, i.e. the question of national
independence and the unity of the Slovenes, became the core of this tragedy. Matjaž
Kmecl states in his recently published study on Josip Jurčič that there are two versions
of Tugomer, the romantic and the classicist version; the first one written by Josip Jurčič,
which presents the tragedy of the hero’s character, and the second one by Fran Levstik,
which presents national – psychological aspects of this play. (Kmecl 2009: 122-125)
This can be a solution to the dispute regarding the “true” authorship of this play.
Several Slovene literary historians (e.g. Mirko Rupel, France Koblar etc.) also
mention that in Jurčič’s and in Levstik’s versions of Tugomer the influence of Shakespeare’s
histories and tragedies can be seen. Janko Kos suggests that Shakespeare’s
Coriolanus presents the most direct pattern for Levstik’s Tugomer, although he admits
that “there is a considerable difference between the two heroes” (2001:193-94), because
14 Josip Stritar (ZD VI, 1955: 16, 18, 141). He compares Shakespeare to Aeschylus, Dante, Calderon etc.
in whose works “the truth is discovered in the most beautiful image” when poetry and philosophy, beauty
and truth form a unique union. He calls these authors “poets and prophets.” (ibid. 60).
15 Ivan Robida (1871-1941) and Anton Medved (1869-1910) are rather minor literary figures. France Koblar
(1972: 150-163) compares Robida’s hero with Shakespeare’s Iago, and he finds in Ostrovrhar several motifs
which could be linked with Shakespeare’s plays.
16 Fran Levstik, Bratko Kreft. Tugomer (1967: 22-3).
9
Levstik’s hero is “indebted to the pre-Romantic classical tragedy”, and particularly to
Schiller, what Bratko Kreft had also mentioned (see above). According to Kos the Roman
leader Coriolanus is a mentally unstable hero who betrays his people because of
his egotism and his aristocratic nature. However, one should not forget that Coriolanus
finally reaffirms his love for Rome, though he pays for his betrayal of the Romans and
his support of the Volscians with his life. Kos does not see Levstik’s Tugomer as an
extremely proud character (like Coriolanus), although he also sees in Levstik’s character
his good sides and his noble nature. Further on, Kos finds parallels between Coriolanus
and Tugomer with regard to their attitudes to their mothers and to their wives, as well
as to their compatriots (the Romans and the Slavs), and to their opponents (i.e. to the
Volscians and to the Franks). But he points out that Tugomer’s relationship to his people
is different from that of Coriolanus, because Tugomer never transgresses the border line
between himself and his people.
The interpretation provided by Janko Kos places Coriolanus as the major, the
most important Shakespeare’s play to have influenced Levstik’s Tugomer. But if
we analyse and compare both plays in detail we see that there are also a number of
important differences between both plays and that Coriolanus is not likely to be the
only major influence on (different versions) of Tugomer and that this influence has
been over-estimated. First of all, Coriolanus and Tugomer come from a completely
different political, historical and social background: Coriolanus is a victorious Roman
leader who has won several battles against the Volscians and their general Aufidius,
but because his dignity is questioned by his Roman opponents he reacts with pride
and stubbornness; he leaves Rome and joins his opponents, the Volscians. Coriolanus
does not attack Rome because his mother Volumnia asks him not “to tread on thy
country’s ruin, / And bear the palm for having bravely shed / Thy wife and children’s
blood” (Cor. 5.3.16-18).
On the other side Tugomer is in a completely different position: in Jurčič’s text
he is in love with Zorislava and hopes to marry her. In this version she is a domineering,
ambitious woman, almost like Lady Macbeth. Therefore when Zorislava learns
that Tugomer had killed her husband, she stabs him (5.9). In Levstik’s poetic version
(5.8) as well as in Levstik-Kreft’s version (5.3), Tugomer never intends to subdue his
own people and he dies in the embrace of his loving wife Zorislava. Besides, Slovene
playwrights do not present Tugomer as a man who is so completely overcome with
his ambition as Coriolanus, but his main desire is to help his own country to become
independent so that the Slavs could live in peace and therefore he wishes to settle the
political and the military tensions between the Franks and the Slavs. Tugomer leads a
“just war” by protecting his people and their land and not a war to defeat and govern
another nation. 17 Although in Levstik’s version Gripo, who is a German settler among
the Slavs, tells Tugomer that he will be offered the crown – which really happens –
Tugomer rejects the offer; he is not like Shakespeare’s rulers, for example like Richard
III or Julius Caesar, whose rejection of the crown is only seeming and they actually
wish to wear the crown. Tugomer is the military leader who fights for the liberty of his
people, and not for his own fame. In Levstik – Kreft’s version Gripo’s suggestion that
17 See the interpretation regarding the treatment of war in Shakespeare’s plays in the study published by
Paola Pugliatti, Shakespeare and the Just War Tradition (Farnham, Surrey, Ashgate Publ. Co., 2010).
10
Tugomer should accept the crown is made in order to bring discord among the Slavs
(2.2). However, Tugomer is naive and he believes at first that a Slavic king would actually
bring his people the “benefit and blessing” even if he is selected by the Franks.
But he is mistaken what is proven by the duke of the Franks, Geron, who expresses his
hope that his offer to crown Tugomer will create in Tugomer a craving for fame (2.5)
and force him to become dependent on the Franks. But when Tugomer realizes that this
offer is really a trap, he tells Geron that he will never buy “the vassal’s crown” with the
bloodshed of his own people (3.6). In Levstik – Krefts’s version Tugomer admits to his
friend Bojan that if he had ever thought about the royal sceptre the only reason was that
in his view his leadership would be more firm and would bring freedom to his people
(Levstik – Kreft 1967: 164). In this version Tugomer finally entrusts the dukedom to
another tribal leader, Mestislav, and appeals to him to raise all the Slavs against their
enemy (ibid. 171). Mestislav sees Tugomer as an honest, proud Slavic warrior and he
tells other Slavic military leaders that “Tugomer was the bravest of them all in their
battle against the Franks”. In Act 5, Scene 3, just before his death, Tugomer tells his
son to be “a man made of steel, when he has to defend the honour of his nation, its
rights and its language” (ibid. 188). These thoughts and actions link the text in the
final Levstik – Kreft’s version much more to Shakespeare’s early chronicle plays than
to his late tragedies.
Coriolanus wishes to diminish his excessive ambitiousness and so he tries to excuse
his joining the Volscians by his “fight / Against my cank’red country” (4.5.93-4).
Tugomer also implicitly accepts faults which are obvious in his people (e.g. their lack
of unity), but he hopes that his efforts to make peace with the Franks will be successful
and that the Slavic people would thus become equal to the Franks. When Levstik’s
Tugomer is mortally wounded and he sees that he was betrayed by the Franks he tells
his people “to defend vigorously the honour of their country, the rights of its people and
their language” (5.8). The difference between the fate of the Romans in Coriolanus and
the fate of the Slavs in Tugomer is also important: whereas the Romans are (already) a
free nation, the Slavs still have to fight in order to gain their freedom. In Levstik’s eyes
the fate of the Slavs in his play and the historical reality with which the Slovenes were
faced in the nineteenth century, is the same: their future is rather uncertain and therefore
they should neither naively mislead themselves as regards the relations between them
and the Franks nor should they allow to be misled by their enemies (Levstik ZD V; 1955:
209). Coriolanus pays for his tragic opposition to his own people with his death (his
former and his real enemies, the Volscians, kill him), whereas Tugomer is killed in his
fight with the Franks. The playwright shows that Tugomer was naive and trustworthy
enough to have brought his best men to his enemies’ camp, where the Slavic leaders
with the exception of Tugomer – were killed. But when Tugomer sees how he had been
betrayed by the Franks he starts to fight with the Franks and dies a hero. In Tugomer
(Act 5) both ordinary Slavic soldiers as well as their military leaders and even the Franks
praise Tugomer’s decisive role in this battle, which can be compared in its meaning and
importance with the battle between King Henry the Fifth and the French. King Henry
tells his cousin Westmoreland and his soldiers that he is “not covetous for gold”, but
that he wishes to defend his honour and his country and he invites the English soldiers
to fight with him:
11
This day is called the feast of Crispian;
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is named
And rouse him at the name of Crispian. (King Henry V, 4.3.40-44)
He tells his soldiers that they will always remember this day, they will be proud
of the scars which they got in this battle and they will also be always remembered. They
who remain alive will be his “brothers”, and those who are not present will feel cursed
for not having been there. Tugomer also tells his friend Bojan that what he always had in
mind was the welfare of his country and not his own profit (Levstik ZD V 1955: 185).
In Levstik – Kreft’s version Tugomer appeals to his soldiers to fight bravely for
their country in a very similar way to that we find in Shakespeare’s King Henry V. The
similarity between the patriotic struggle of English soldiers against the French in Shakespeare’s
historical play and the battle fought by Tugomer’s soldiers against the Franks
does not appear to be incidental and we may justly surmise that both authors, Jurčič and
Levstik, may have had in mind the scene from this play written by Shakespeare when
they wrote about the fighting between the Slavs and the Franks.
Tugomer’s political programme is clear: the Slavs should endeavour to establish
peace with the Franks but in order to achieve this they should first be united. This, however,
does not happen. In Shakespeare’s histories justice finally wins, the legal order is
established again and the power of the people is vested in a character who can claim
legal rights for his rule. In Coriolanus the Romans remain free, whereas in Tugomer
the future of the Slavs remains uncertain although Levstik views it with optimism. We
can conclude that even though there are certain thematic parallels between Coriolanus
and Tugomer both plays differ in a number of significant aspects and that therefore
Coriolanus cannot present the main parallel between Shakespeare’s plays and Levstik’s
Tugomer. Both authors, Jurčič and Levstik, must have either read some of Shakespeare’s
histories, for example King Henry V, or they were at least informed about their plots
from sources about English literature they had known.
There are also some other parallels between Shakespeare’s plays and Levstik’s
Tugomer that have not been fully discussed yet. Among structural parallels between
Shakespeare’s plays and this play Slovene critics most often mention the introductory
scenes in which less important characters appear first. These characters function as the
Chorus, which presents the voice of common people. Whereas Jurčič uses in his version
of the play two minor characters, in Levstik’s version such “chorus” scenes include at
least three characters (e.g. three old men in 1.1, 1.2, 2.1, 4.2), or a whole group of people
(e.g. the citizens of Branibor: 1.5, 1.6, 4.1, 4.5), or even all the characters who represent
public opinion and are present on the stage (e.g. a group of senior citizens in 2.6; etc.).
Such Chorus scenes involving several or a group of people remind us of similar scenes
in Shakespeare’s histories, e.g. in King Henry V, in Coriolanus and in Hamlet.
The elements of superstition should also be mentioned as a similarity between
Shakespeare’s plays and Tugomer. The Slavic pagan priest Zovolj, who is almost completely
blind, foretells the future war between the Franks and the Slavs. He is like the
Soothsayer in Shakespeare’s Julius Caesar (1.2, 3.1). In the final scene of Levstik’s
Tugomer (5.10) Zovolj, for instance, announces the revenge of the Slavs on the Franks
and the future freedom of the Slavs. The dramatists’ presentation of aggressive and
12
treacherous Franks and Tugomer’s appeal to the Slavs to be brave and to defend the
honour of their nation and their language (5, 3) was most likely the main reason why
the play could not be produced in Slovenia during Hapsburg rule. On the other hand,
patriotic ideas expressed by English kings and other warriors in Shakespeare’s histories
were not questioned in the Hapsburg Empire and were accepted as a fact.
In both versions of Tugomer obvious omens indicate the tragic future of the Slavic
people. So, for example, in the introductory scene of Tugomer the three old men mention
2010 Catalogue With Covers
2010
Contents
Small Wet/Dry Pumps Turbomolecular Pumps Vapor Pumps Measurement & Control Vacuum Valves Fittings and Flanges Semiconductor Pumps Industrial Pumps and Pumping Systems Chemical Dry Pumps Liquid Ring Pumps Process Vacuum Shelf Dryers Service and Training 1 2 3 4 5 6 7 8 9 10 11 12 13
Small Wet/Dry Pumps
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Page 1
XDS Scroll Pump Small EM Oil Sealed Rotary Vane Pumps RV Rotary Vane Pump Medium EM oil sealed rotary vane pumps Small ATEX certified pumps E-LAB Rotary Pump Diaphragm Pumps
5 10 14 22 26 34 36
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Small Pumps and Pumping Systems
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To meet the diverse needs of applications ranging from analytical instrumentation, wet chemistry, R & D to light industrial, Edwards offers a comprehensive range of different pumping technologies. Refer to the application and accessory guide to select pumps and accessories for your application. 2 mbar / 1.5 Torr 0.6 to 2.0 m3h-1 / 0.35 to 1.2 ft3min-1 The D-LAB diaphragm pumps are made of corrosion resistant materials, to withstand attack from chemicals. They are ideal for applications such as gel drying and other wet chemistry processes. The XDD1 diaphragm pumps provide oil free backing for compound turbomolecular pumps.
Oil Free Diaphragm Pumps
Oil Free Scroll Pumps
Scroll pumps are an excellent alternative to rotary vane pumps where oil free pumping is desirable. The innovative XDS pumps in particular use a bearing shield to isolate the vacuum environment from all forms of lubricant not only making them totally dry, but also protecting the bearing from any process gases. Vapor handling is enabled by an adjustable gas ballast; this allows the range of pumps to satisfy many applications that were previously off limits to scroll pumps. 2 x 10-2 mbar / 1.5 x 10-2 Torr 5 to 35 m3h-1 / 2.9 to 20.6 ft3min-1
Easy to Service
All Edwards pumps are designed for easy routine maintenance. Key components are easily accessible and, with RV and XDS pumps, no special tools are required. Service kits of guaranteed parts are available for routine service by the user. Worldwide support from the Edwards service organization is also available.
Quality Manufacture
Edwards pumps are manufactured on state of the art machine tools for high consistency of components. For example, RV rotors are manufactured in a robotic cell to remove errors and inconsistencies from the manufacturing process.
Oil Sealed Rotary Vane Pumps
Applications
Edwards high performance pumps are used in many industrial and laboratory applications, including the following: Electron microscopes, mass spectrometry, residual gas analyzers and surface analysis Epoxy degassing, powder materials processing Solvent concentration Sterilization, distillation and centrifuges Gel dryers and glove boxes Atomic emission spectrometers, nuclear physics, fusion technology and space research Vacuum ovens TV tube evacuation Automotive system filling Freeze drying Vacuum metallurgy
10-3 mbar / 10-3 Torr 0.9 to 32.3 m3h-1 / 0.5 to 19.5 ft3min-1 This wide range of rugged pumps offers an excellent ultimate with good pumping speed. RV pumps have superior vapor handling capabilities, while operating quietly.
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Small Pumps: Application and Accessory Information
Use the information in the list below to select the best pump and accessories for your application. The information is given as a guide only; the optimum set-up may depend on your specific method of operation. Note that you need to buy the accessories separately, unless otherwise stated.
Load Locks, Fume Hoods and Glove Boxes
Recommended pump: XDS or Rotary pumps. Suggested accessories for rotary pumps: Mist filter, oil return. Suggested accessories for XDS: Silencer.
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ATEX and Flammable Gases
The following standard pump models have an internal ATEX classification of II 3 G c IIB T4: E2M0.7, E2M1.5 E1M18, E2M18 & E2M28 RV3, RV5, RV8, RV12 XDS5, XDS10, XDS35i
Ultra High Speed Centrifuges
Recommended pump: XDS or Rotary pumps. Suggested accessories: Mist filter Suggested accessories for rotary pumps: Mist filters, oil return.
Leak Detection, Electron Microscopes, Mass Spectrometers and Lasers
Recommended pump: XDS or Rotary pumps. Suggested accessories for rotary pumps: FL20K, Mist filter. Suggested accessories for XDS: Silencer.
The following standard pump models operating on hydrocarbon oil can be supplied with flameproof motors providing an external classification of II 2 G IIB T4 (or IIC): RV3, RV5, RV8, RV12 E1M18, E2M18
Surface Science and Particle Size Analyzers
Recommended pump: XDS or Rotary pumps. Suggested accessories for rotary pumps: FL20K, Mist filter. Suggested accessories for XDS: Silencer.
High Energy Physics
Recommended pump: XDS or Rotary pumps. Suggested accessories for rotary pumps: FL20K, Mist filter. Suggested accessories for XDS: Silencer.
Helium or Rare Gas Recirculation
Recommended pumps: XDS
Backing Turbomolecular Pumps Gel Dryers
Recommended pump: XDS or D-Lab. Suggested accessories for D-Lab: Separator. Optional accessories for D-Lab: Condenser, gas ballast valve. Recommended pump: XDS, XDD1 or Rotary pumps. Suggested accessories for rotary pumps: FL20K, Mist filter. Suggested accessories for XDS: Silencer.
Backing Diffusion Pumps
Recommended pump: XDS or Rotary pumps. Suggested accessories for rotary pumps: FL20K, Mist filter. Suggested accessories for XDS: Silencer.
Rotary Evaporation and Vacuum Ovens
Recommended pump: XDS or D-Lab. Suggested accessories for D-Lab: Separator. Optional accessories for D-Lab: Condenser, gas ballast valve.
Refrigeration, Air Conditioning Systems
Recommended pump: XDS or Rotary pumps. Suggested accessories for rotary pumps: FL20K, Mist filter. Suggested accessories for XDS: Silencer.
Centrifugal Concentration
Recommended pump: XDS.
Vacuum Filtration
Recommended pump: XDS or D-Lab. Suggested accessories for D-Lab: Separator. Optional accessories for D-Lab: Condenser, gas ballast valve.
Vacuum Furnace
Recommended pump: XDS or Rotary pumps. Suggested accessories for rotary pumps: ITF20K, Mist filter. Suggested accessories for XDS: Silencer.
Distillation/Extraction Apparatus
Recommended pump: XDS or D-Lab. Suggested accessories for D-Lab: Separator. Optional accessories for D-LAB: Condenser, gas ballast valve.
Azide Forming Applications
Recommended pump: XDS or Rotary pumps. Suggested accessories for rotary pumps: Mist filter. Suggested accessories for XDS: Silencer.
Freeze Dryers
Recommended pump: XDS or Rotary pumps. Suggested accessories: Mist filters, oil return.
Notes
FL20K is an inlet trap, to prevent oil back-streaming. ITF20K is an inlet trap, to capture dust particles. The gas ballast facility allows atmospheric air into the pump, minimizing the formation of condensates (which contaminate the oil in rotary pumps). An oil return kit is available for RV and EM18 and E2M28 pumps to allow oil to be returned from the mist filter to the pump. A gas ballast oil return is also available to allow oil to return and have gas ballast flow.
MS Inlet Systems (like Electro-Spray)
Recommended pump: XDS35i or E2M28. Suggested accessories for rotary pumps: Mist filter, oil return. Suggested accessories for XDS: Silencer.
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Small Pumps and Accessories: Frequently Asked Questions
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Oil Mist
Question: What accessory do I use to trap oil mist (which all oil sealed pumps emit during pump down or with gas ballast)? Answer: To meet regulations and preserve pump oil, fit a recommended Edwards oil mist filter (EMF) to the pump outlet, and connect the exhaust to an exhaust line. Question: If I operate an RV pump continuously or with high inlet pressure, what accessories do I need? Answer: Fit an Edwards mist filter (EMF) and a gas ballast oil return (GBOR) kit. Then the pump can be operated with the mode switch open and gas ballast oil return. The oil condensed in the filter will be continuously returned to the pump oil box.
Vapor Processing
Question: Which pump and accessories should I use if my process generates vapors which could condense in the pump? Answer: You can choose either an XDS pump, or rotary pump. Gas ballast should be used with both pumps; to sweep the vapor through the pump. This prevents condensation and oil contamination. Operate the pump with gas ballast for at least an hour before and after use. Choose the size of pump taking into account the vapor pumping rate. If you selected a rotary pump, then you should fit a gas ballast oil return kit and mist filter. Change the oil frequently and keep an oil change reminder tag on the pump. D-Lab would also be a suitable alternative depending on required pumping speed.
Dust and Particle Processes
Question: Which pump and accessory should I use if my process generates dust or grit, which could clog or damage the pump? Answer: Use a rotary pump fitted with an inlet dust filter. We do not recommend the use of scroll pumps or XDD1 pumps for these applications.
Special Chemical Cleaning Processes
Question: Which pump and accessory should I use if my process generates oxygen or ozone? Answer: Use a rotary pump adapted to run with Fomblin oil or XDS. Contact Edwards for more information. Question: Are there any special considerations if my pump will be used in the vicinity of organic gases, like propane? Answer: Use a rotary pump fitted with a flameproof motor. Contact Edwards for more information.
Contamination
Question: Which pump and accessories should I use if I must ensure that my process and process chamber (operated below 0.1 mb) are not contaminated with oil from the pump? Answer: Use an XDS scroll pump. Alternatively, you can use a rotary pump with a FL20K foreline trap fitted to the system inlet. The trap contains activated alumina which traps the oil molecules. To maintain the alumina charge, bake the charge basket or replace as required. Question: How can I reduce the noise level of my pump? Answer: If the noise is only obvious during pumping down then fitting the exhaust with a silencer (XDS pumps), or fitting an exhaust line will reduce the level. An alternative is to fit an acoustic enclosure. Contact Edwards for more information.
Fomblin is a registered trademark of Solvay Solexis
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XDS5 Scroll Vacuum Pump
The XDS pumps are an innovative design which use a bearing shield to isolate the vacuum environment from all forms of lubricant, not only making it totally dry, but hermetically sealed. The shield also protects the bearing from any process vapors. Adjustable gas ballast allows vapor to be handled and opens up the range of applications to many that were previously unsuited to scroll pumps. The XDS pumps are designed for pumping condensable vapors and use materials selected for a wide range of laboratory wet chemistry applications.
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Features & Benefits
G G G G G
Applications
G G G G G
Bearing shield Totally clean and dry vacuum No bearings or grease in the vacuum space No shaft seals, no bearing purges Simple single sided scroll design
Analytical instruments Scanning Electron Microscopes - SEM Beam lines and high energy physics Turbomolecular backing pumps Centrifuges, ultra-high speed
Dimensions
Performance Curves
60 Hz XDS5
50 Hz XDS5
60 Hz XDS5
50 Hz XDS5
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Technical Data
Displacement 50Hz 5.7 m h / 3.4 ft min 6.7 m h / 4.0 ft min
1 3 -1 3 -1 3 3 3 -1 3 3 -1 3 -1 -1
Ordering Information
Product Description XDS5 1-phase 115/230 V (set to 230 V) for Europe and UK. XDS5 1-phase 100/200 V (set to 200 V) for Japan. XDS5 3-phase 200/380/415/460 V set to high volts
-2 -2
Order No. A72401903 A72401904 A72401905 A72401906 Order No. A50626801 A50597000 A50597800 A50505000 A50506000 A50507000 A50508000 A72601805
1
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60Hz Peak pumping speed 50Hz 60 Hz Ultimate vacuum (Total pressure) 50Hz 60 Hz Water vapour tolerance Water vapour capacity GB I Water vapour capacity GB II Motor power 1-ph and 3-ph Nominal rotation speed 50/60 Hz Weight Inlet flange Exhaust flange Noise level Leak tightness Operating temperature range
4.8 m h / 2.8 ft min 6.0 m h / 3.5 ft min
-1 -1
7 x 10 mbar / 5.3 x 10 Torr 6 x 10 mbar / 4.5 x 10 Torr 50 mbar / 38 Torr 70 gh
-1 -1 -2
-2
XDS5 1-phase 115/230 V (set to 115 V) for North America. Accessories & Spares Gas Ballast Adapter with 0.25mm hole Exhaust silencer XDS5/10 Silencer spares kit 2m electrical supply cable for 1-ph pumps, UK, Three-pin plug 2m electrical supply cable for 1-ph pumps, North European plug 2m electrical supply cable for 1-ph pumps, North America/Japan plug
200 gh 0.3kW
1500 / 1800 rpm 23 kg / 51 lb NW25 NW25 55 dBA @ 50 Hz <1 x 10 mbar ls 10 to 40 C / 50 to 104 F
-6 -1
2m electrical supply cable for 1-ph pumps, no plug Spares Kit Tip Seal XDS5-5C/10-10C
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XDS10 Scroll Vacuum Pump
The XDS pumps are an innovative design which use a bearing shield to isolate the vacuum environment from all forms of lubricant, not only making it totally dry, but hermetically sealed. The shield also protects the bearing from any process vapors. Adjustable gas ballast allows vapor to be handled and opens up the range of applications to many that were previously unsuited to scroll pumps. The XDS pumps are designed for pumping condensable vapors and use materials selected for a wide range of laboratory wet chemistry applications.
1
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Features & Benefits
G G G G G
Applications
G G G G G
Patented bearing shield Totally clean and dry vacuum No bearings or grease in the vacuum space No shaft seals, no bearing purges Simple single sided scroll design
Analytical instruments Scanning Electron Microscopes - SEM Beam lines and high energy physics Turbomolecular backing pumps Centrifuges, ultra-high speed
Dimensions
Performance Curves
60 Hz XDS10
50 Hz XDS10
60 Hz XDS10
50 Hz XDS10
Shop online at www.edwardsvacuum.com
Technical Data
Displacement 50Hz 11.3 m h / 6.7 ft min 13.4 m h / 7.9 ft min
1 3 -1 3 3 -1 3 3 -1 3 -1 -1
Ordering Information
Product Description XDS10 1-phase 115/230 V (set to 230 V) for Europe and UK. XDS10 1-phase 100/200 V (set to 200 V) for Japan. XDS10 3-phase 200/380/415/460 V set to high volts XDS10 1-phase 115/230 V (set to 115 V) for North America. Accessories & Spares Gas Ballast Adapter with 0.25mm hole Exhaust silencer XDS5/10 Silencer spares kit 2m electrical supply cable for 1-ph pumps, UK, Three-pin plug 2m electrical supply cable for 1-ph pumps, North European plug 2m electrical supply cable for 1-ph pumps, North America/Japan plug
-1
Order No. A72601903 A72601904 A72601905 A72601906 Order No. A50626801 A50597000 A50597800 A50505000 A50506000 A50507000 A50508000 A72601805
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60Hz Peak pumping speed 50Hz 60 Hz Ultimate vacuum (Total pressure) 50Hz 60 Hz Water vapour tolerance Water vapour capacity GB I Water vapour capacity GB II Motor power 1-ph and 3-ph Nominal rotation speed 50/60 Hz Weight Inlet flange Exhaust flange Noise level Leak tightness Operating temperature range
9.3 m h / 5.5 ft min
3 -1 3
-1 -1
11.1 m h / 6.5 ft min
7 x 10 mbar / 5.3 x 10 Torr 6 x 10 mbar / 4.5 x 10 Torr 35 mbar / 23 Torr 70 gh
-1 -1 -2 -2
-2
-2
200 gh 300 W
1500 / 1800 rpm 24.5 kg / 54 lb NW25 NW25 55 dBA @ 50 Hz <1 x 10 mbar ls 10 to 40 C / 50 to 104 F
-6
2m electrical supply cable for 1-ph pumps, no plug Spares Kit Tip Seal XDS5-5C/10-10C
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XDS35i Scroll Vacuum Pump
The XDS35i pump has the same innovative bearing shield design as the XDS5 and XDS10. This isolates the vacuum environment from all forms of lubricant, not only making it totally dry but hermetically sealed. The shield also protects the bearing from any process vapors. Adjustable gas ballast allows vapour to be handled and opens up the range of applications to many that were previously unsuited to scroll pumps. The inverter drive controls the motor characteristics and ensures the pump always runs at optimum speed and allows the user to control the pump remotely.
1
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Features & Benefits
G G G G G
Applications
G G G G G
Patented bearing shield Totally clean and dry vacuum No bearings or grease in the vacuum space No shaft seals, no bearing purges Simple single sided scroll design
Analytical instruments - LCMS Automotive Beam lines and high energy physics Centrifuges, ultra-high speed Coating
Dimensions
Performance Curves
150 (5.91)
247.5 (9.74)
NW40
NW25
Technical Data
Displacement (50 or 60Hz) Peak pumping speed (50 or 60Hz) Ultimate vacuum (Total pressure) Water vapour tolerance Water vapour capacity GB I Water vapour capacity GB II Motor power Nominal rotation speed Weight Inlet flange Exhaust flange Noise level Vibration Leak tightness Operating temperature range 43 m h / 25 ft min 35 m h / 21 ft min
-2 3 -1 3 3 -1 3 -1 -1
Ordering Information
Product Description XDS35i 100-120/200-230V, 1-ph, 50/60Hz with an IEC60320 connector, factory set to 230V Accessories & Spares Gas Ballast Adapter with 0.25mm hole Exhaust silencer XDS35i 2m Electrical supply cable, UK, three-pin plug 2m Electrical supply cable, North European plug 2m Electrical supply cable, North America/Japan plug 2m Electrical supply cable, no plug
-1 -1
Order No. A73001983 Order No. A50626801 A50597001 A50505003 A50506003 A50507003 A50508003 A73001801 A50597801
1 x 10 mbar / 8 x 10 Torr 35 mbar / 23 Torr 70 gh
-1 -1
-3
240 gh 0.52kW
1800 rpm 48 kg / 105 lb NW40 NW25 57 dB (A) <4.5mms
-6
Tip seal kit XDS35i Silencer spares kit
<1 x 10 mbar ls 10 to 40 C / 50 to 104 F
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E2M0.7 Two Stage Rotary Vane Pump
1
Page 10
The E2M0.7 is a small two stage oil sealed rotary vane pump that features a very low sound level of only 43 dB(A), compact dimensions, low energy consumption and low operating temperature. It will appeal to scientific instrument manufacturers and laboratory users for backing small turbomolecular or diffusion pumps as well as general laboratory applications. Fitted in a cabinet, the pump will be virtually inaudible and the low operating temperature will minimize the heat load on the equipment. Vertical vacuum inlet with horizontal option. Supplied with: Ultragrade 15 oil, NW O-ring and centering ring.
Features & Benefits
G G G G G
Applications
G G G G
Very low sound level of only 43 dB(A). The pump is designed for reliable, long-term operation. Compact dimensions. Low energy consumption. Low operating temperature will minimize the heat load on the equipment.
Analytical instruments Leak detectors, Helium Research and development Backing Turbomolecular pumps
Dimensions
Performance Curves
Handle (can be removed)
220-240 V motor, B = 161
Alternative inlet position
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Technical Data
Displacement (swept volume) 50 Hz Displacement (swept volume) 60 Hz Speed (Pneurop 6602) 50 Hz Speed (Pneurop 6602) 60Hz Ultimate vacuum (total pressure) without gas ballast with full gas ballast Inlet connection Outlet connection 3 x 10 mbar / 2.3 x 10 Torr 2.0 x 10 mbar / 1.5 x 10 Torr NW10 flange Nozzle 11 mm external removable from 3/8 inch BSP tapped hole
-1 -1 -3 -3
Ordering Information
0.9 m h / 0.5 ft min 1.1 m h / 0.6 ft min
3 -1 3 -1 3 3 3 -1 3 3 -1 3 -1
Product Description E2M0.7 200-230V, 1-ph, 50/60Hz, IEC 60320 connectors E2M0.7 100-120V, 1-ph, 50/60Hz, IEC 60320 connectors Accessories & Spares Model EMF3 mist filter NW10 x 3/8 Bsp Adapter 2m electrical supply cable for 1-ph pumps, UK, Three-pin plug 2m electrical supply cable for 1-ph pumps, North European plug 2m electrical supply cable for 1-ph pumps, North America/Japan plug 2m electrical supply cable for 1-ph pumps, no plug Spares Kit C&O E2M0.7/1/1.5 Spares Kit Blade E2M0.7/1.5 NW10/10 Centring Nitrile S/S Pk1 NW10 O Ring Viton Pk 5 Vibration isolator for E2M0.7 and E2M1.5
Order No. A37141919
-1 -1 -1
1
A37141902 Order No. A46220000 A25908064 A50505000 A50506000 A50507000 A50508000 A37101131 A37101132 C10511396 H02124032 A24801407 Page 11
0.75 m h / 0.4 ft min
0.95 m h / 0.5 ft min
Maximum permitted pressure at 0.5 bar gauge / 7 psig outlet Maximum inlet pressure for water vapour Maximum water vapour pumping rate Motor power Operating temperature range Weight, without oil Noise Oil capacity - maximum Oil capacity - minimum Recommended oil (supplied) 15 mbar / 11 Torr 8gh
-1
0.09 kW 12 - 40 C 10 kg / 22 lbs 43 dB(A) @ 50 Hz 0.28 litre 0.2 litre Ultragrade 15
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E2M1.5 Two Stage Rotary Vane Pump
1
Page 12
The E2M1.5 is a two stage oil sealed rotary vane pump suitable for many bench type applications. The pump features an alternative inlet connection position at the side of the pump so that overall installation height can be reduced to a minimum when required. The interstage version features an additional pumping port to provide a rough vacuum for auxiliary duties. Supplied with: Ultrgrade 15 oil, NW O-ring and centering ring.
Features & Benefits
G G G G
Applications
G G G G G
The pump is designed for reliable, long-term operation. Compact dimensions. Low energy consumption. The interstage version features an additional pumping port to provide a rough vacuum for auxiliary duties. The pump is a free-standing unit.
Analytical instruments Laboratory bench top vacuum Leak detectors, Helium Research and development Backing turbomolecular pumps
Dimensions
Performance Curves
Without gas ballast
With gas ballast
Handle (can be removed)
220-240 V motor, B = 161
Alternative inlet position
Without gas ballast
With gas ballast
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Technical Data
Displacement (swept volume) 50 Hz Displacement (swept volume) 60 Hz Speed (Pneurop 6602) 50 Hz Speed (Pneurop 6602) 60 Hz Ultimate vacuum (total pressure) without gas ballast with gas ballast Inlet connection Outlet connection 3 x 10 mbar / 2.3 x 10 Torr 2.5 x 10 mbar / 1.9 x 10 Torr NW10 flange Nozzle 11 mm external diameter removable from hole tapped 3/8 inch BSP
-2 -2 -3 -3
Ordering Information
1.8 m h / 1 ft min
3 -1 3 -1 3 -1 3 3 3 3 -1 3 -1
Product Description
-1 -1 -1
Order No. A37132919
2.2 m h / 1.3 ft min 1.6 m h / 0.8 ft min 2.0 m h / 1.2 ft min
E2M1.5 200-230V, 1-ph, 50/60Hz, IEC 60320 connectors E2M1.5 100-120V, 1-ph, 50/60Hz, IEC 60320 connectors E2M1.5 interstage 200-230V, 1-ph, 50/60Hz, IEC 60320 connectors E2M1.5 interstage 100-120V, 1-ph, 50/60Hz, IEC 60320 connectors Accessories & Spares Model EMF3 mist filter NW10 x 3/8 Bsp Adapter 2m electrical supply cable for 1-ph pumps, UK, Three-pin plug 2m electrical supply cable for 1-ph pumps, North European plug 2m electrical supply cable for 1-ph pumps, North America/Japan plug 2m electrical supply cable for 1-ph pumps, no plug Spares Kit C&O E2M0.7/1/1.5 Spares Kit Blade E2M0.7/1.5 NW10/10 Centring Nitrile S/S Pk1 NW10 O Ring Viton Pk 5 Vibration isolator for E2M0.7 and E2M1.5
1
A37132902 A37104919 A37104902 Order No. A46220000 A25908064 A50505000 A50506000 A50507000 A50508000 A37101131 A37101132 C10511396 H02124032 A24801407 Page 13
Maximum permitted pressure at 0.5 bar gauge / 7 psig outlet Maximum inlet pressure for water vapour Maximum water vapour pumping rate Motor power 50/60 Hz (IP54) Operating temperature range Weight Noise Oil capacity maximum minimum Recommended oil (supplied) 15 mbar / 11 Torr 16 g h
-1
0.16 kW 12 - 40 C 10 kg / 22 lbs 54 dB (A) @ 50 Hz 0.28 litre 0.2 litre Ultragrade 15
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RV3 Two Stage Rotary Vane Pump
1
Page 14
Edwards RV pumps have become the industry standard for scientific primary pumping applications. RV pumps are uniquely capable of delivering high or low throughputs with high ultimate vacuum. This, combined with ultra-low noise levels, makes them ideal for a wide range of applications including GCMS and other small bench top type applications. All pumps are approved to UL and CSA standards by an external test house. Edwards has a global network, providing world-wide support for product applications and service. Supplied with: 1 liter of Ultragrade 19 oil, inlet filter and O-ring.
Features & Benefits
G G
Applications
G G G G G
G G G
48 dBA and intrusive frequencies minimised. Dual mode. Suitable for high throughput and high vacuum applications. Easy-to-use gas ballast. Fast acting inlet valve for system protection. High torque, dual voltage/dual frequency motor, electronic start relay.
Analytical instruments Laboratory bench top vacuum Turbomolecuar backing pumps Freeze drying Research and development
Dimensions
Performance Curves
1. 1-phase motor
2. 3-phase motor
3. Retractable handle
1. High vacuum mode, gas ballast = 0 2. High throughput mode, gas ballast =0 and high vacuum mode, gas ballast =1 3. High vacuum and throughput modes, gas ballast =II
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Technical Data
Displacement 50Hz 60Hz Speed (Pneurop 6602) 50Hz 60Hz Ultimate pressure (high vac mode) 3.3 m h / 2 ft min
3 -1 3 3 -1 3 -1 -1 -3
Ordering Information
Product Description 3.7 m h / 2.2 ft min 4.5 m h / 2.6 ft min
3 -1 3 3 -1 3 -1 -1
Order No. A65201903
1
A65201904 A65201905 A65201906 A65209903 A65209904 Page 15
3.9 m h / 2.3 ft min
-3
2.0 x 10 mbar / 1.5 x 10 Torr
Ultimate pressure GB I (high vac -2 -2 3.0 x 10 mbar / 2.3 x 10 Torr mode) Ultimate pressure GB II (High throughput mode) Water vapor tolerance Water vapor capacity GB I Water vapor capacity GB II Motor power 50/60Hz Weight (without oil) Oil capacity Recommended oil Inlet flange Exhaust flange Noise level Operating temperature range 1.2 x 10 mbar / 9.1 x 10 Torr 80 mbar / 60 Torr 60 g/h 220 g/h 450 / 550W 25 kg / 55 lb 0.7 liters Ultragrade 19 NW25 NW25 48 dBA @ 50 Hz 12 40 C
-1 -2
A65209905
Nominal rotation speed 50/60Hz 1500 / 1800rpm
A65209906 Order No. A50505000 A50506000 A50507000 A50508000 A50502000 A50509000 A46226000 A65201130 A65201134 A65201036 A24801404
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RV5 Two Stage Rotary Vane Pump
1
Page 16
Edwards RV pumps have become the industry standard for scientific primary pumping applications. RV pumps are uniquely capable of delivering high or low throughputs with high ultimate vacuum. This, combined with ultra-low noise levels, makes them ideal for a wide range of applications and environments. All pumps are approved to UL and CSA standards by an external test house. Edwards has a global network, providing world-wide support for product applications and service. Supplied with: 1 liter of Ultragrade 19 oil, inlet filter and O-ring. Fomblin must be purchased separately for PTFE RV pumps.
Features & Benefits
G G
Applications
G G G G G
G G G
48 dBA and intrusive frequencies minimised. Dual mode. Suitable for high throughput and high vacuum applications. Easy-to-use gas ballast. Fast acting inlet valve for system protection. High torque, dual voltage/dual frequency motor, electronic start relay.
Analytical instruments Centrifuges, ultra-high speed Coating Degassing/curing - oil, epoxy resin Distillation/extraction/filtration
Dimensions
Performance Curves
1. 1-phase motor
2. 3-phase motor
3. Retractable handle
1. High vacuum mode, gas ballast = 0 2. High throughput mode, gas ballast =0 and high vacuum mode, gas ballast =1 3. High vacuum and throughput modes, gas ballast =II
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Technical Data
Displacement 50Hz 60Hz Speed (Pneurop 6602) 50Hz 60Hz Ultimate pressure (high vac mode) 5.1 m h / 3.0 ft min 6.2 m h / 3.7 ft min
-3 3 -1 3 3 -1 3 -1 -1 -3
Ordering Information
Product Description 5.8 m h / 3.4 ft min 5.0 m h / 2.9 ft min
3 -1 3 3 -1 3 -1 -1
Order No. A65301903
RV5 115/230V, 1-ph, 50/60Hz, Factory set to 230V for Europe RV5 100/200V, 1-ph, 50/60Hz, Factory set to 200V for Japan RV5 200-220/380-415V, 3-ph, 50Hz and 200230/460V, 3-ph, 60Hz, Factory set to 380/460V RV5 115/230V, 1-ph, 50/60Hz, Factory set to 115V for USA PFPE RV5 115/230V, 1-ph, 50/60Hz, Factory set to 230V for Europe PFPE RV5 100/200V, 1-ph, 50/60Hz, Factory set to 200V for Japan PFPE RV5 200-220/380-415V, 3-ph, 50Hz and 200-230/460V, 3-ph, 60Hz, Factory set to 380/460V PFPE RV5 115/230V, 1-ph, 50/60Hz, Factory set to 115V for USA Accessories & Spares 2m electrical supply cable for 1-ph pumps, UK, Three-pin plug 2m electrical supply cable for 1-ph pumps, North European plug 2m electrical supply cable for 1-ph pumps, North America/Japan plug 2m electrical supply cable for 1-ph pumps, no plug RV gas-ballast adaptor RV exhaust nozzle kit Model EMF10 mist filter Spares Kit RV3/5/8/12 Spares Kit Blade RV5 Spares Kit Inlet Valve RV3/5/8/12 Spares Kit Cartridge RV5
1
A65301904 A65301905 A65301906 A65309903 A65309904 Page 17
2.0 x 10 mbar / 1.5 x 10 Torr
Ultimate pressure GB I (high vac -2 -2 3.0 x 10 mbar / 2.3 x 10 Torr mode) Ultimate pressure GB II (High throughput mode) Water vapor tolerance Water vapor capacity GB I Water vapor capacity GB II Motor power 50/60Hz Weight (without oil) Oil capacity Recommended oil Inlet flange Exhaust flange Noise level Operating temperature range 1.0 x 10 mbar / 7.5 x 10 Torr 50 mbar / 38 Torr 60 g/h 220 g/h 450 / 550W 25 kg / 55 lb 0.7 liters Ultragrade 19 NW25 NW25 48 dBA @ 50 Hz 12 40 C
-1 -2
A65309905
Nominal rotation speed 50/60Hz 1500 / 1800rpm
A65309906 Order No. A50505000 A50506000 A50507000 A50508000 A50502000 A50509000 A46226000 A65201131 A65301130 A65201036 A65301032
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RV8 Two Stage Rotary Vane Pump
1
Page 18
Edwards RV pumps have become the industry standard for scientific primary pumping applications. RV pumps are uniquely capable of delivering high or low throughputs with high ultimate vacuum. This, combined with ultra-low noise levels, makes them ideal for a wide range of applications and environments. All pumps are approved to UL and CSA standards by an external test house. Edwards has a global network, providing world-wide support for product applications and service. Supplied with: 1 liter of Ultragrade 19 oil, inlet filter and O-ring. Fomblin must be purchased separately for PTFE RV pumps.
Features & Benefits
G G
Applications
G G G G G
G G G
48 dBA and intrusive frequencies minimised. Dual mode. Suitable for high throughput and high vacuum applications. Easy-to-use gas ballast. Fast acting inlet valve for system protection. High torque, dual voltage/dual frequency motor, electronic start relay.
Analytical instruments Centrifuges, ultra-high speed Coating Degassing/curing - oil, epoxy resin Distillation/extraction/filtration
Dimensions
Performance Curves
1.
1-phase motor
2.
3-phase motor
1. High vacuum mode, gas ballast = 0 2. High throughput mode, gas ballast =0 and high vacuum mode, gas ballast =1 3. High vacuum and throughput modes, gas ballast =II
Shop online at www.edwardsvacuum.com
Technical Data
Displacement 50Hz 60Hz Speed (Pneurop 6602) 50Hz 60Hz Ultimate pressure (high vac mode) 8.5 m h / 5 ft min
3 -1 3 3 -1 3 -1 -1 -3
Ordering Information
Product Description 9.7 m h / 5.7 ft min
3 -1 3 3 -1 3 -1 -1
Order No. A65401903
11.7 m h / 6.9 ft min
1
A65401904 A65401905 A65401906 A65409903 A65409904 Page 19
10 m h / 5.9 ft min
-3
2.0 x 10 mbar / 1.5 x 10 Torr
Ultimate pressure GB I (high vac -2 -2 3.0 x 10 mbar / 2.3 x 10 Torr mode) Ultimate pressure GB II (High throughput mode) Water vapor tolerance Water vapor capacity GB I Water vapor capacity GB II Motor power 50/60Hz Weight (without oil) Oil capacity Recommended oil Inlet flange Exhaust flange Noise level Operating temperature range 6 x 10 mbar / 4.6 x 10 Torr 50 mbar / 38 Torr 60 g/h 220 g/h 450 / 550W 28 kg / 61.6 lb 0.75 liters Ultragrade 19 NW25 NW25 48 dBA @ 50 Hz 12 40 C
-2 -2
A65409905
Nominal rotation speed 50/60Hz 1500 / 1800rpm
A65409906 Order No. A50505000 A50506000 A50507000 A50508000 A50502000 A50509000 A46226000 A65201131 A65401130 A65201134 A65201036 A65401032
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RV12 Two Stage Rotary Vane Pump
1
Page 20
Edwards RV pumps have become the industry standard for scientific primary pumping applications. RV pumps are uniquely capable of delivering high or low throughputs with high ultimate vacuum. This, combined with ultra-low noise levels, makes them ideal for a wide range of applications and environments. All pumps are approved to UL and CSA standards by an external test house. Edwards has a global network, providing world-wide support for product applications and service. Supplied with: 1 liter of Ultragrade 19 oil, inlet filter and O-ring. Fomblin must be purchased separately for PTFE RV pumps.
Features & Benefits
G G
Applications
G G G G G
G G G
48 dBA and intrusive frequencies minimised. Dual mode. Suitable for high throughput and high vacuum applications. Easy-to-use gas ballast. Fast acting inlet valve for system protection. High torque, dual voltage/dual frequency motor, electronic start relay.
Analytical instruments Centrifuges, ultra-high speed Coating Degassing/curing - oil, epoxy resin Distillation/extraction/filtration
Dimensions
Performance Curves
1. 1-phase motor
2. 3-phase motor
1. High vacuum mode, gas ballast = 0 2. High throughput mode, gas ballast =0 and high vacuum mode, gas ballast =1 3. High vacuum and throughput modes, gas ballast =II
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Technical Data
Displacement 50Hz 60Hz Speed (Pneurop 6602) 50Hz 60Hz Ultimate pressure (high vac mode) 12 m h / 7.1 ft min
3 -1 -3 3 3 -1 3 -1 -1 -3
Ordering Information
Product Description 14.2 m h / 8.4 ft min 17 m h / 10 ft min
3 -1 3 -1 3 -1 3 -1
Order No. A65501903
1
A65501904 A65501905 A65501906 A65509903 A65509904 Page 21
14.2 m h / 8.4 ft min
2.0 x 10 mbar / 1.5 x 10 Torr
Ultimate pressure GB I (high vac -2 -2 3.0 x 10 mbar / 2.3 x 10 Torr mode) Ultimate pressure GB II (High throughput mode) Water vapor tolerance Water vapor capacity GB I Water vapor capacity GB II Motor power 50/60Hz Weight (without oil) Oil capacity Recommended oil Inlet flange Exhaust flange Noise level Operating temperature range 1.2 x 10 mbar / 9.1 x 10 Torr 32 mbar / 24 Torr 60 g/h 290 g/h 450 / 550W 29 kg / 63.8 lb 1 liter Ultragrade 19 NW25 NW25 48 dBA @ 50 Hz 12 40 C
-1 -2
A65509905
Nominal rotation speed 50/60Hz 1500 / 1800rpm
A65509906 Order No. A50505000 A50506000 A50507000 A50508000 A50502000 A50509000 A46229000 A65201131 A65501130 A65201134 A65201036 A65501032
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E1M18 One Stage, E2M18 Two Stage Rotary Vane Pumps
1
Page 22
The EM range of oil-sealed rotary pumps - renowned for their high ultimate vacuum, rapid pumping speed, quiet operation and ability to handle vapour - have become the industry standard for laboratory and light industrial applications. The E1M18 pump is a one-stage, direct drive, sliding vane pump. The pump is oil sealed and designed for reliable, long-term operation. The pump is a freestanding unit with the drive provided through a flexible coupling by either a single-phase or three-phase (fourpole) motor. Supplied with: Ultragrade 19 oil, NW25 O-ring and centering ring.
Features & Benefits
G G
Applications
G G G G
The pump is designed for reliable, long-term operation. Thermal overload device prevents overheating (single phase only). The drive is provided through a flexible coupling by a singlephase or three-phase (four pole) motor. The motors are totally enclosed and are cooled by the motorcooling fan. Pressure die cast oil box with integral oil seals prevents oil leaks.
Analytical instruments Leak detectors, Helium Research and development Backing Turbomolecular pumps
Dimensions
Performance Curves
1 Without Gas Ballast
2 With Gas Ballast
Order No.
D 83
E 159
F 171.4
G 217
A3431094 0 A3431590 518 4 A3431798 4 A3631094 0 A3631590 564 4 A3631798 4
474 247
474 247
83
159
171.4
241
504 247
83
159
171.4
251
520 295
131 207
171.4
217
520 295
131 207
171.4
241 1 Without Gas Ballast 2 With Gas Ballast
550 295
131 207
171.4
251
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Technical Data
Speed (Pneurop 6602) 50 Hz Speed (Pneurop 6602) 60Hz Ultimate vacuum (total pressure) without gas ballast with gas ballast Inlet connection Outlet connection 3 x 10 mbar / 2.2 x 10 Torr 6.5 x 10 mbar / 4.8 x 10 Torr NW25 Nozzle 15 mm external removable from 3/4 in BSP tapped hole
-1 -1 -2 -2
Ordering Information
17.0 m h / 10 ft min
3 -1 3 3 -1 3 -1 -1
Order No. A34310940
20.4 m h / 12.1 ft min
1
A34315904 A34317984 Page 23
A36321940
Maximum permitted pressure at 0.5 bar gauge / 7 psig outlet Maximum inlet pressure for water vapour Maximum water vapour pumping rate Motor power 50 Hz Motor power 60 Hz Weight Noise Oil capacity - maximum Oil capacity - minimum Recommended oil (supplied) 50 mbar / 38 Torr 0.65 kg h 0.55 kW 0.75 kW 32 kg / 70 lbs 57 dB(A) @ 50 Hz 1.4 litre 0.9 litre Ultragrade 19
-1
A36325984
A36310940 A34325984 A36315904 A36317984 Order No. C10520201 A46229000 C10501414 A50505003 A50506003 A50507003 A50508003 A36301131 A34301041 A36301020 C10514396 H02124035 A24801404
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E2M28 Two Stage Rotary Vane Pump
1
Page 24
The EM range of oil-sealed rotary pumps - renowned for its high ultimate vacuum, rapid pumping speed, quiet operation and ability to handle vapor - has become the industry standard for industry and laboratory applications. The E2M28 pump is a two-stage, direct drive, sliding vane pump. The pump is oil sealed and designed for reliable, long-term operation in both laboratory and industrial environments. The pump is a freestanding unit with the drive provided through a flexible coupling by either a single-phase or three-phase (four-pole) motor. Supplied with: Ultragrade 19 oil, NW25 O-ring and centering ring, lifting plate.
Features & Benefits
G G
Applications
G G G G G
G G
The pump is designed for reliable, long-term operation. Thermal overload device prevents overheating (single phase only). The pump is a free-standing unit. The drive is provided through a flexible coupling by a singlephase or three-phase (four pole) motor. The motors are totally enclosed and are cooled by the motorcooling fan.
Analytical instruments - LCMS Automotive Beam lines and high energy physics Centrifuges, ultra-high speed Coating
Dimensions
Performance Curves
1 Without gas ballast
2 With gas ballast
Ordering No.
A373-10-940 A373-15-904 598 A373-17-984 -
553 217 584 251 584 251
1 Without gas ballast
2 With gas ballast
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Technical Data
Displacement (swept volume) 50 Hz Displacement (swept volume) 60 Hz Speed (Pneurop 6602) 50 Hz Speed (Pneurop 6602) 60Hz Ultimate vacuum (total pressure) without gas ballast with gas ballast Inlet connection Outlet connection 1 x 10 mbar / 7.5 x 10 Torr 1.5 x 10 mbar / 1.1 x 10 Torr NW25 flange Nozzle 15 mm external removable from 3/4 in BSP tapped hole
-2 -2 -3 -4
Ordering Information
32.2m h / 19 ft min
3 -1 3 -1 3 -1 3 3 -1 3 -1
Product Description
-1
Order No. A37310940
38.9 m h / 22.3 ft min 27.5 m h / 16.2 ft min
3 3
-1 -1
E2M28 Two Stage Rotary Vane Pump 200230/380-415 V, 3-ph, 50 Hz or 200-230/460 V, 3-ph, 60 Hz E2M28 Two Stage Rotary Vane Pump 100/200 V, 1-ph, 50 Hz or 100-105/200-210 V, 1-ph, 60 Hz E2M28 Two Stage Rotary Vane Pump 115/200-230 V, 1-ph, 50/60 Hz with IEC60320 connector fitted E2M28 PFPE Two Stage Rotary Vane Pump 200-230/380-415 V, 3-ph, 50 Hz or 200230/460 V, 3-ph, 60 Hz E2M28 PFPE Two Stage Rotary Vane Pump 115/200-230 V, 1-ph, 50/60 Hz with IEC60320 connector fitted Accessories & Spares Model MF30 mist filter Flange NW25 Inlet Adapter Flange NW25 Outlet Adapter 2m Electrical supply cable, UK, three-pin plug 2m Electrical supply cable, North European plug 2m Electrical supply cable, North America/Japan plug 2m Electrical supply cable, no plug Spares Kit C&O E2M28 NW25 O Ring Viton Pk 5 Ultragrade 19 Oil 4 Litres
1
Page 25
33.0 m h / 19.5 ft min
A37315904
A37317984
A37321940
Maximum permitted pressure at 0.5 bar gauge / 7 psig outlet Maximum inlet pressure for water vapor Maximum water vapor pumping rate Motor power 50 Hz Motor power 60 Hz Weight Noise Oil capacity - maximum Oil capacity - minimum Recommended oil (supplied) 30 mbar / 23 Torr 0.7 kg h
-1
A37325984 Order No. A46233000 C10520201 C10501414 A50505003 A50506003 A50507003 A50508003 A37301131 H02124035 H11025013
0.75 kW 0.90 kW 40 kg / 88 lbs 57 dB(A) @ 50 Hz 1.5 liter 1.2 liter Ultragrade 19
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RV ATEX Two Stage Rotary Vane Pump
1
Page 26
This variant of the RV pump has an external ATEX classification of Ex II 2G IIC T4 or Ex II 2G IIB T4 and is suitable for use in potentially explosive atmospheres. It shares the same internal ATEX classification as our standard RV pumps, namely Ex II 3G c IIB T4. ATEX pumps with flameproof motors require the user to provide 2 off hazardous area cable glands and cables. In addition, connection of the thermistors to an appropriate safety circuit must be made to switch off the pump if overheating occurs.
Features & Benefits
G G G
Applications
G
G G
ATEX rated spot voltage motor. 48 dBA and intrusive frequencies minimised. Dual mode. Suitable for high throughput and high vacuum applications. Fast acting inlet valve for system protection. Efficient high pressure lubrication.
Hazardous area pumping
Dimensions
Performance Curves
Pump RV3 RV5 RV8
A 520 (20.47) 520 (20.47) 560 (22.05)
127 (5) 29 (1.06) 127 (5) 29 (1.06) 161 (6.34) 35 (1.38) 181 (7.13) 35 (1.38)
RV12 580 (22.83)
Technical Data
Please refer to the standard pump pages of this catalogue for detailed technical data, ignoring water vapour handling and gas ballast as the ATEX variants do not have this feature?
Ordering Information
Product Description ATEX RV3 115V, 1-ph, 60Hz Ex II 2G IIC T4 ATEX RV3 115V, 1-ph, 60Hz Ex II 2G IIB T4 ATEX RV3 230V, 1-ph, 60Hz Ex II 2G IIB T4 ATEX RV3 230V, 1-ph, 50Hz Ex II 2G IIC T4 ATEX RV3 230V, 1-ph, 60Hz Ex II 2G IIC T4 Order No. A65218986 A65218987 A65218988 A65218989 A65218990
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A65218991 A65218992 A65218993 A65318986 A65318987 A65318988 A65318989 A65318990 A65318991 A65318992 A65318993 A65418986 A65418987 A65418988 A65418989 A65418990 A65418991 A65418992 A65418993 A65518986 A65518987 A65518988 A65518989 A65518990 A65518991 A65518992 A65518993 Page 27
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E1M18 One Stage, E2M18 Two Stage ATEX Rotary Vane Pumps
1
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The E1M18 pump has an external ATEX classification of II 2G IIC T4 and is suitable for use in potentially explosive atmospheres. ATEX pumps with flameproof motors require the user to provide 2 off hazardous area cable glands and cables. In addition, connection of the thermistors to an appropriate safety circuit must be made to switch off the pump if overheating occurs.
Features & Benefits
G
Applications
G
Approved to external ATEX standards Ex II 2G IIC T4 and Ex II 2G IIB T4, which enables use in hazardous environments.
Hazardous area pumping
Dimensions
Performance Curves
1 Without gas ballast
2 With gas ballast
Order No.
D 83
E 159
F G 171.4 217
A3431094 0 A3431590 518 4 A3431798 4
474 247
474 247
83
159
171.4
241
504 247
83
159
171.4
251
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Technical Data
Speed (Pneurop 6602) 60Hz Ultimate vacuum (total pressure) without gas ballast with gas ballast Inlet connection Outlet connection 3 x 10 mbar / 2.2 x 10 Torr 6.5 x 10 mbar / 4.8 x 10 Torr NW25 Nozzle 15 mm external removable from 3/4 in BSP tapped hole
-1 -1 -2 -2
Ordering Information
20.4 m h / 12.1 ft min
3 -1 3 -1
Product Description E1M18 ATEX 115V, 1-ph, 60Hz Ex II 2G IIC T4 External E1M18 ATEX 115V, 1-ph, 60Hz Ex II 2G IIB T4 External E1M18 ATEX 230V, 1-ph, 60Hz Ex II 2G IIB T4 External E1M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIC T4 External E1M18 ATEX 230V, 1-ph, 60Hz Ex II 2G IIC T4 External E1M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIB T4 External E1M18 ATEX 400V, 3-ph, 50Hz Ex II 2G IIC T4 External E1M18 ATEX 400V, 3-ph, 50Hz Ex II 2G IIB T4 External E2M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIC T4 Exernal E2M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIB T4 Exernal E2M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIB T4 Exernal E2M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIC T4 Exernal E2M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIC T4 Exernal E2M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIB T4 Exernal E2M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIC T4 Exernal E2M18 ATEX 230V, 1-ph, 50Hz Ex II 2G IIB T4 Exernal
Order No. A34318986
1
A34318987 A34318988 A34318989 A34318990 A34318991 A34318992 A34318993 A36318986 A36318987 A36318988 A36318989 A36318990 A36318991 A36318992 A36318993 Page 29
Maximum permitted pressure at 0.5 bar gauge / 7 psig outlet Maximum inlet pressure for water vapour Maximum water vapour pumping rate Motor power 60 Hz Weight Noise Oil capacity - maximum Oil capacity - minimum Recommended oil (supplied) 50 mbar / 38 Torr 0.65 kg h 0.75 kW 37 kg / 70 lbs 57 dB(A) @ 50 Hz 1.4 litre 0.9 litre Ultragrade 19
-1
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Electrical Data
Electrical data
Small Pump Accessories
This diagram shows the accessories available for oil-sealed pumps. Refer to the following pages for details of each accessory. Note that the E-LAB2 pump is supplied with all required accessories.
4 5 6
1
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The table shows current data and suggests a suitable fuse rating. Starting current is drawn for less than one second and slow blow fuses should be used to prevent unnecessary rupture during starting. Pump outfits are rated for operation above 12C. Pump starting at temperatures lower than 12C will increase the current drawn due to the higher start torque required. This may cause the motor thermal overload to trip. Three-phase motors should be protected by a starter consisting of a suitably rated contactor and thermal overload. The trip current regulator on the thermal overload should be set according to the starter manufacturer's instructions.
Full Load Current (A) Electrical Supply Speedivac 2 50 Hz 60 Hz Start Current (A) 50 Hz 60 Hz Suggested Fuse Rating (A)
220-240 V 1-ph 50 Hz 105-115 V 1-ph 50/60 Hz
E2M0.7
2.2 4.8 1.0 1.8 1.4 3.1 2.4 2.2 4.6 4.4 1.7 1.7 1.0 1.0 4.0 3.6 7.8 7.2 2.5 2.9 1.5 1.5 12 11 6 4.6 1.9 1.6 12 6 6 2.3 2.3 12 6.5 6.5 3.9 1.0 1.9 1.3 2.6
17.2 24 2.8 5.7 5.5 12.0 15.6 15.2 29.4 31.5 10.2 10.2 5.7 7.0 18.0 18.0 34.0 34.0 14.0 12 9.0 8.7 88 42 44 33 10.2 10.6 80 27 27 14.3 14.6 50 32 32 22 2.3 5.3 5.2 11.2
10 10
2 1
220-240 V 1-ph 50/60 Hz 100-120 V 1-ph 50/60 Hz
E2M1.5
6 10
13
220-240 V 1-ph 50/60 Hz 100-120 V 50/60 Hz
RV3 and RV5
6 10 5 5 10 10 2.5 2.5 2.5 2.5 5 5 13 13 4 4 2.5 2.5 30 30 15 15 10 6 6 30 30 15 15 16 10 10
8
220-240 V 1-ph 50 Hz 230-240 V 1-ph 60 Hz 110 V 1-ph 50 Hz 115-120 V 1-ph 60 Hz 200-220 V 3-ph 50 Hz 200-230 V 3-ph 60 Hz 380-415 V 3-ph 50 Hz 460 V 3-ph 60 Hz
RV8 and RV12
12
OIL
11
10
220-240 V 1-ph 50 Hz 230-240 V 1-ph 60 Hz 110 V 1-ph 50 Hz 115-120 V 1-ph 60 Hz 200-220 V 3-ph 50 Hz 200-230 V 3-ph 60 Hz 380-415 V 3-ph 50 Hz 460 V 3-ph 60 Hz
E1M18/E2M18
100 V 110-120 V 200-210 V 230 V 200-230 V 3-ph 380-415 V 3-ph 460 V 3-ph
E2M28
10 5.5 5 2.3
32 44 33 15.9
100 V 110-120 V 200-210 V 230 V 200-230 V 3-ph 380-415 V 3-ph 460 V 3-ph
1 2 3 4 5 6 7 1 2 3
Outlet mist filter1 Oil return kit2 Small volume inlet liquid catchpot ITO20K inlet liquid catchpot ITC20K inlet chemical trap ITF20K inlet dust filter FL20K foreline trap EMF filter shown
8 9 10 11 12 13
Vibration isolators Oil drain kit3 OB20 oil box purge adaptor Oil change reminder card RV gas ballast adaptor4 EBV20 solenoid operated gas ballast valve
RV adjustable gas ballast oil return kit shown RV pump extension kit shown
4 Not required for EM pumps
Minimum starting voltage is 10% below lowest nominal voltage. These fuse ratings are for indication only. The relevant instruction manual should be checked before use.
Accessories
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Outlet Mist Filters
Benefits of the mist filter include: Protection from oil mist emissions as required by COSHH and health and safety regulations Use of optional oil return kits results in reduced oil level maintenance and savings in pump oil If the oil element becomes blocked, an integral pressure relief valve opens EMF Filters The EMF3, EMF10 and EMF20 mist filters are suitable for all small rotary vane pumps up to E2M18. (The EMF20 can be used with an E2M28 on low pressure/throughput applications; contact Edwards). They are very efficient at 99.999% DOP test and are also azide proof. The white bottom half of the body is semitransparent, allowing the oil level to be monitored. The EMF filters have a unique odor element which neutralizes the smell of oil mist. MF30 FIlter The MF30 is suitable for E2M28 pumps. It is very efficient at 99.85% DOP test. You can monitor the oil level through the sightglass provided.
Ordering Information
Product Description Model EMF3 mist filter (0.315 kg)1 Model EMF10 mist filter (0.500 kg)2 Model EMF20 mist filter (0.700 kg)2 Model MF30 mist filter (1.30 kg)3
1 2 3
Order No. A46220000 A46226000 A46229000 A46233000
1
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Supplied with NW10 clamp, centering ring and O-ring, NW10 to /8 inch BSP adaptor. Supplied with NW25 clamp, centering ring and O-ring, NW25 to /4 inch BSP adaptor. Supplied with NW25 elbow, NW25 clamp, NW25 to /4 inch BSP adapter and NW25 CoSeal.
Dimensions
EMF Filters
Spares Odor element (pack of 5) EMF3 EMF10 EMF20 Oil element EMF3 EMF10 EMF20 MF30 Body seal EMF3 EMF10 EMF20
Order No. A22304081 A22304079 A22304077 A22304197 A22304198 A22304199 A22304057 A27159538 A27159535 A27159534
B Square
Inlet/ Outlet
Oil Return Kits
Oil return kits These conserve the pump oil, by returning the oil trapped in the mist filter to the pump. The gas ballast oil return kit, for example, allows extended operation of the pump with gas ballast. Product Description Clean application oil return kit (RV, Speedivac 2 to E2M0.7, E2M1.5) Adjustable gas ballast oil return kit (RV) Clean application oil return kit (E1M18 to E2M28) Order No. A50419000 A50523000 A50420000
EMF3
128 mm / 82 mm / NW10 5.03 inch 3.22 inch
EMF10 171 mm / 97 mm / NW25 6.73 inch 3.81 inch
FLOW
EMF20 191 mm / 118.4 / NW25 7.51 inch 4.66 inch
B
Inlet Liquid Catchpots
MF30 Filters
150 (5.91)
These catchpots minimize the entry of condensable vapors into the pump. Benefits of the catchpots include: Capture condensable vapors, which would otherwise condense in the pipelines or in the pump Prevents froth or spray from the process from carrying over to the pump Corrosion-resistant body Visual indication of trapped liquid level Hand-tightened drain plug, for easy drainage
83 (3.27) 248 (9.76)
31 (1.22)
296 (11.65)
NW25
308 (12.13)
Ordering Information
Product Description ITO20K inlet catchpot, 1.84 liters capacity, weight 3.2 kg Small volume inlet catchpot 0.1 liter capacity, weight 0.3 kg Both supplied with NW25 clamp, centering ring and O-ring. Order No. A44110000 A44105000
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ITC20K Inlet Chemical Traps
The ITC series of chemical traps provides the following benefits: Protection against various aggressive vapors, which may attack the pump or pump oil Prevent high molecular weight vapors (such as might arise in a resin treatment plant), from reaching the pump. These vapors could cause lacquering or clogging The standard sorbent (activated charcoal), has relatively high trapping properties (absorbs around 25% of its own weight), even when large amounts of water vapor are being pumped When filled with activated alumina on two-stage pumps, backstreaming of pump oil can be controlled See also ITO catchpots for design advantages of the body
Power Cables
Select the correct cable for your product and country.
Power Cables for E2M0.7 and E2M1.5, RV Pumps and XDS5 and XDS10 Pumps, 1 Phase
Pump end connector is EN60320 C13.
1
Page 32
Ordering Information
Product Description UK, three pin plug, 2 m North European plug, 2 m North America/Japan plug, 2 m No plug, 2 m Order No. A50505000 A50506000 A50507000 A50508000
Ordering information
Product Description ITC20K inlet chemical trap charcoal charge 0.4 kg, weight 3.5 kg
Hindu tantra encyclopaedia in 5 volumes by Sadhu Santideva
[email protected]
SADHU SANTIDDV
VOLUMIi I
COSMOPUBLICATIONS r999
INDIA
AJl! ish tr reserved.No par t ofthis publicadon nay be rcproduc-ed, ot starcd in rctrival system,or tratsmitted in arylonl or by any Dteans without the piorpermjssion ofcosmo ntbljcatbns.
@ CosmoPublications FirstPublished1999 (set) ISBN81-702G863-7 81-702G8ff'5(volumel)
CONTENTS Meaning ol TantJa ClassiticationoiTantras Antiquityand continuityof Tantra OriginalHomeofTantra Contents of Tantra HumanBodY,A l,4icrocosm KOSzl
Published br
MRS.&qNI KAPOOR foTCOSMO PUBLICATIONS Div of GENESISPUBUSHINGPVT LTD. 24,B,AnsariRoad, Daryacanj, NewDelhi-1 10002, INDIA
Nadis SahasBHPadma HumanNature Sadhana-Pafrcalattva Kundalini-Yoga Puja siddhi Purcscarana Yoga KaYa(or Deha)-Siddhi Natureof TantricDoctines Theoryof Creation-Siva,Sakti Tantraand SaktaWorks Dasamahavidy,r ACEQ Gut!, SisYa, Diksa, Abhiseka
3l
Mull ra, Mandala,yantta, Nyesa Sava-Sadhana CakraBjja Waysto Liberation BhakliinTantra Yuganaddha NumberofTantras SaktaSect-a generaiview ScienceinTantra Causesof CompositjonofTantras LrleraryValueofTantra Tantrabeyondjndia TantraandTimaeus Tantraand Christianity TantraandJews WasTantraot ForeignOigin?
VedicOriginofTantricpractices
85
Whatis SivaLinga ?
i01
5.
TantricPracticewith Maktras
117
6.
Gradationsot Approachingthe Divine
r33
3.
Gradalionsof Approach
curu(t) Guru(ll) c u r u( i t j ) curu(lV) Guru(V) Guru(Vl) Guru(Vll) Guru(Vlll) GuruandGod Guru andParents Gurus Word nere
HolyCompany Holyt\ren(l) Holylt en(ll) Birlh(l) Human Human Birth(ll) lmages lmmediate InnerAnd Ouler(l) InnerAndOuler(ll) lnnerTrulh (l) Intellectual Knowledge (ll) lnlelleclual Knowledge Japa(l) Japa(ll) Japa(lll) Japa(lV) JapaAndDhyana JapaAndStotra JivaAndShiva JuslUse Karma Kaula(l) Kaula(ll) Sell-Revealing Shiva-Shakli SinsOlTheDisciple SupremeTrulh (l) TanlraSadhana (ll) TanlraSadhana TanlraSadhana(lll) (lV) TanraSadhana Upasana Upasana Gradalions
VedaAndTantra VerbalKnowledge Worship(l) Worship(ll) Worship (lll) Worship(lV) Worship(V) Worshjp(Vl) Yanlra Yantra AndI\,4antra YOga Yogin(l) 7.
Glossary orTantricTerminology
Chapter-1 195
Meaningof Tantra
Chapter-1 ol fanlra. loundin lexicons Among thevariousmeanings stutisekhe the followingmaybe noted:s/iidhdnta(conclusion), (a branch of sfurl, i.e., Vedas),itika avya6 (sel of duties), (a parlicularszistra). pfubandha(composilion),seslravrbesa 'Tantra'issometimesusedlo denotegovernance. Kdliddsa 'prajahtanttayiva' usesthe expression \havinggovernedlhe (V.5). subjecls)in lhe Abhinanasakuntalam x. 7.42) ln lhe Vedas\e.9.,RgvedaX. 71.9. Atharvaveda 'tanlra'appears lo be usedto denolea weavingmachine,a loom.The samesenseof lhe wordis foundalsoinlhe Taitti ya Bftthnana(11.5.5.q. fhe wordlarlrakaoccursin lhe Astr4dhy.iyi as a derivaliveol the tantra,and meansa cloth taken trom lhe toom. lnthe SatapathaBftihmanaand TendyaBHhmara,'tanlra' denotesthe chiefporlionor ihe essenceof a thing.Perhaps in thal age,Tanlrawasconsidered to represenl lhe quinlessence ol Sastras. Thelerm lanlra'hasbeenusedal severalplaceslodenole a syslem of lhought,a set of doclrines,elc-, e.9., Kapilasya Iantra(i.e..Sdmkhya), usedby Samkara. The word'tanlrais used by BhaskaraRayalo denote lvlimdms;i'sristra, etc. Tanlra,when denotinga kind of Sdslra, standsfor a sel of dockines, practices, mysticsyllables, metaphysical speculations, magic.elc. 'Tantra'is derivedfrom lhe rool tan 10 sptead. Tanyate vistatyetejnefiam anera - knowledgeis increasedby il. In this sense, any branchol knowledgeis called Tantra,e.9., Sdmkhya systehsarecalledrespeclively andNy:iyaphilosophical Kapilatantrc,Gotama-tantrc.fheAyurvedic work,sitributedto Agnivesa,is cafiedAgnive'alantra.'fanlra', derivedlrom lhe sarneroo1.is takenby some1odenolea Sdslrawhichdilales
Chapler-t
uPon lattvas and mantfas. Accordi
sho'enins
Jl"L"!"*i:l::-l:l l:-l'""s rl """iii"'il'i;n "",,1,Y;,X wh,ch wourd ll""T::l::n l!" ",;il;;";;l;ilt"X; "'n;o;;;;,"",.i
ran,ra ,ssoca,,ed "" ,l!l""""oilll"oltiT,l?&,i11#:::,
ro?r.,iii,S"riiifli,ili,j"li r.arrrosdver. fa,fra ?l:, ja",l'"'',i,i[T andlare rojfl,J;'i;j,_::1,rrom denore,r,i,
or cuslom,lhe workconcern€d withpractrce is Safiolherwise is Asat. work a Tanlrasare also classifiedas isrka {Vedic)and Ne ka The works of the former class are divided, (non-Vedic). of the deily,as Sekta, Sajva, accordingto the predominance Saura Genapalyaand Vaisnava. TheSdklaTankasaredividedintotenclassesin accordance wilhthe namesof len Mah6ldyes.Of these,the Sodasi-tantra rs known as Sflvldfi. Anothermode of classificationis inio S/otas, pilha and Anraya.3 Tanlrasare also classifiedinto Kddi, Hedi and Kaha\diol SadF.This classifjcaiionappearsto havebeen in accordance wilh lhe injliallellersol mantrcs.ThemanttahavingKa as lhe inilialsyllableis Kedl,lhat with Ha as the iniliatletter is Hddl, and that beginningwith the unionof K:idiand Hediis Kahadi Sakt is supposedlo be inherentin Siva as the properly of burninginheresin fire. Thefollowing fivefacesol Sivaarelakenas representing the five functionsof Saktl,jn the spheresnotedagainstlhem: Isena - Cit (consciousness), Tatpurusa- Anahda (bliss), Sadyojyoti- i cchd (witl), Vemadeva- Jheha lknowtedge),
#:*iit1#*ti'i,ii$i*iry;i#1, # Classification orTantras
i$nfr ft,qnHl tri*tinsii,ffi
,i::Jx##[11i ,",llii'!:*l{",:kffi eft ;l;:x",j;;""T3,;:1;:1',:.,
"",
regi;:ly-four
f "!::,!:r:: i,,f ii.l. {::::
Tantrasare believed to bet{Jngro eachof Ihese
Aghota-K y6 (aclion). The five houths of Siva are said lo have originally producedten Agamas,viz., KAmika,yogaja,Cihtya,Mukut;, Ansumdn, Dipta,Ajita, Siksha, Sahash, Suprabheda of thefollowing .These-in lheirlurn,ledto ihe composilion erghteen RaudraAgamas: yraya.Nihsvasa(ot Ptodgita\parcmesvara, Mukhabjmba, -. stddha.Santana.Narcsmha.Candramsu,lor, Candahasa)-
tr-i;#'rd*ilhfr:t?,,",;,{*tii'l,ril:***
Ctlager-1
Viabhadta lot, Bhadra), Agneya, Svayambhu, Visata lo(. Virckta).Rautuvalot [email protected]).Vimatalor. Mukutq. Kiena, Lalita, Saumeya lo(, PaG). Theabovelwo classestogelherconsliiutethe lwenly-eight Saiva Aoamas. Anot-hertradition makes the DaksinaMukha ol Siva represenlnon-dualily;il is calledyogini-vakra.The otherfour facesarestatedto represent thefourcondiljons, viz.,Denotaljve. Denoted.Extinguishihg and Extinguished. Theworks,produced bylhese,togelherconslttulethe64 BhaituvaAqamasclassified into lhe followingoctads: 1. Bhairaviislaka: Svacclanda,Bhairava,Canda,kodha, Unmatta,AsitAffga,Mahocchisma, Kaht6li6a. 2. Ydmafdslaka: B'ahtrA, Visnu,AthaNan,Rutu, VetAta, [email protected],Svacchanda. Again,Tantrasare divid€dinlo Hinduand non-Hindu. Those ol the latlerclassare BuddhistandJaina.BuddhislTanlrasare divided,accordihg to thelhreebroaddivisionsof laterBuddhism. as vayaydna.SahajayanaandK|tacaknana I hereis a sectarian classificalionof Jaina Tanlrastoo. Both Buddhistand Jaina Tantrasbelongto the ltrisfika class, mentionedabove. A hode of classification is basedon lhe hythologicalages; e.9., vatahakalpa,KAlakalpa,etc. The [email protected] classof work"scalled Upatahln. Thereis a lradition(e.g, Etahnayamata, Ch.XXXTX Sroionimava Sectlon)ot classifyihgTantricwotks as Daksina,Vemaa;d Madhyama,also calledDivya,Kaula,and yama,each beinq sub dividedas Harda(inner)and BAhyaloutet\. A divisioninto Astaka,Mafigah, Cakraand S/khdis also lound (Jayadratha-y{nala,1.47). A class of Tantrasis called ydmala. Besidesthe well, kna n RudhtAnala, thereareYdmalasassocialedwilh Ganesa_ Visnu, Sakti and severalolhers.
dividedinto lwo classes viz ln anotherway,Tantrasare Kalikuta a^d St)kula four broad SomedivideTanlricworksintothe lollowing classes: A. Agama oy NarratorSiva' lisienerParvali'approved as usually Vdsudeva lts conlents are DevArcana' iorfow"'- sr"ti' PBlaYa' satktma' Dhyanayoga Purascanrana, B. Ddmara Narratedby Siva Six kindsof Ddmaraare
Brchme' iig,", sui' Durye'sarcsvata'
Ganclhalava C. Yamala(lii meaningpair' couple) s,ix'viz BrchM Visnu Budta' Ganesa Ravi, AditYa Generalcontents: Jyotisa' AkhyenaNilya Karna, kama"tttra Vanabheda Jatibheda' Yugadharma D. Tantra
Sdkiasastra Also cailed Nigama'Rahasya Arnava' etc GeneralConlents: SamhitA, Sarca Prctisarya Devala'samslhana Tnfuvarmna,ls ranp'dtan1a \enta' ntMya ' Kosa'varnana vrata Jvitis PurAnakhyAna vivarana'Saucae'auca'Naraka'Stti'purusa' laksana,Baiadhama' Dana Yugadhatma etc, Saktatantrasare by lar lhe most well_ known
Antiquity and continuity of Tantra lt is given It is nol knownpreciselywhenTantraoriginated
#
Meaningol Tanlra
the slatus of Srull in some works. ll is slated bv H:irita. as quoled in Kallukabhallas commentary on Manu (ii t). as
and llsing(675) relerslo Tanlra c. Tuccilhinks6thal Tanlrashark back to the limes ot andAsanga(4lh cent A D ) Hisopinionis based Harivarman on the facl that they allude lo a Somas/ddhdnlawhich he Winternilz wilh lhe Tdnlricsecl ot the K:iPdlikas. identifies Tantra No Buddhist Tucci's viewdoes nol accept ho!^rever. 7 650 A.D appearsto haveexisledbefore The {irst clear referenceto Tanlric lileratureappearslo occur in lhe Bh gavata'purana(nol later than 800 A D accordingto some). These reasons led some scholarslo probably earlierthanlhe thalTantradid noloriginate conclude lt may be cenlury A.D. sixlh Pointedoul that the lifth or centuryA.D., the sevenlh work of about aBengal Devipuhna, of Tantra. deep influence reveals a highantiquilyol Tanlra,holdlhat, Those.whoadvocate (Rgvedax. 125) there are ol lhe Devisina the slanzas in coverlreierencesto Durgddeviwho represenlslhe earlierform of Sakiior Kdli, lhe principalgoddessol Tanlra.lt ls also pointedoul that the ,gatrisuha(Bgveda\ 127)reters10Durg.i lo Somethinkthal Rdlri is the precursorof Kali.According into the olhers lhis Stikfa is a supplement(Khila)inlerpolaled Rgveda. l1is also poinledoutthalrhe M*fuandeyaand Lingapuanas according oldeslpad of theformer, revealTrinlric inlluence.The lo Pargitermay datebacklo the lhirdcenturyB.C.or even
Srutisca dvividhe prcka vaidikl tant k tathe The earlieslrecordof Tdnlricelementsis lhe Atharvaveda fn lhis Veda,we find, intet alia,abhic'tika practicesdesigned lo causemischief to olhers.Thereare olherelements of white and black magic.These foreshadowthe Tanlras. The myslicsoundp/,at,so familiarjn Tanlra,occur in the VejasaneyiSamhita.ln the ApastambaStautasttrc,phat is used in offeringSoma stalks in abhidra. The numberol exlanlTanlEs is large.ll maybe presumed lhal severalcenlurieselapsedbeforethe Tanlrasgrew into a hugebulk. Manuscriplsof some Tanlrasreveal palaographyof the Gupla Age.5The oldestof lham is the Kublkdmataoreserved in AsjatrcSocielyCalcutta. The Southlndian SaivaAoamas -dating are mentioned in an insc ptionol Rdjasimhavarman, backto the sixlhcenturyA.D.in Kaildsan:itha Tempte. Al feastfourTantras, viz.,Sircscheda,Vinasikha, Sammoha and Nayotlarcare known hom th€ inscriplionot Sdok-kakThom,to havebeeninlroducedinlo Kambu,a(Cambodia) about 800 A.D.by a Brahmin. The oldesl BuddhistDh{rcnts ot Tdntric characlermav. perhaps.b€ supposedlo datelrom the 4th centuryA.D. Tibetanlranslalaon only is availabteof lhe BuddhistTdntric worksby severalBengalischolars inctudingSdhtaraksita(70S762 A.D ) and Alisa Dipamtarawhoare knownlo haveset ed in Tibel. The earliestNepalesemanuscriptsol Tanlrasappearto havebeencopiedbelweenthe sevenlhandlhe ninlhcenluries The faler porlions ot lhe MaldtbhAtata,lhough relerringto Ilih'sa, PutAna,arc silentaboulTanka.Noneof the well-known Chinesetravellers, Fa,hien(401,410), HiuenTsang(630-649)
(C. 8lh cent.) has accepledTantraas Samkarac:irya aulhorilativein his Anandalahatland S:ikldmoda.The six Cakrasof Tantrahavebeenmenlionedby himin his griakabtrsya (7thcent.)and Bhavabhfii(C. nh Theworksof B6nabhatta or 8lh cenl.) refer lo Tantricviews and practicesu. lhal lhe names ll was poinledout by JogesVidyanidhi Br:ihmiand Devaniigari, appliedlo Indianalphabel,betray TanlricinlluenceBrdhmiis one of the Mdtrkdsot Tanlra.He lhlnks that, in ancienllimes, lhere was lhe practiceol
10
Chapler-l
worshrpping painledsymbols of thegoddess. Onesuchsyrnbol was Devanagara(abodeof god)trom whichDevanagarisctipl was so cailed. ln lhe Yasatilaka-canp, (AsvasaV) Bhdsa,whoflourished earlierlhan K:ilidiisd, is statedto havesaid.wilh the Tilnlric Vdmecerain view that one should drink sura and put on grolesq!edress. The Lalitavistaraof aboutlhe first cenlury A.D.appears lo referlo Tdnlricelemenls. Amonglhe relicsof IndusValleyCivilisalion, there are lerracottaliguresoI natrkAsand male figuresin a si ing posture.Somescholarsthinkthat, even in thosepre-Vedic limes.Durgdas Molherof the universeand Sivaas Fatherlsed lo be worshipped. Thus the germof Tanlrawas there. B. Footeclaimsto havefoundphalliamonglhe neolithic rematnsdiscovered by him in Deccanr. TheGaigddharaStoneInscription (424A.D.)of Visvavarman menlionsMdllsor Mothergoddesses and Tanlra. Ihe BrhalsanhitA(57. 56) ot variihamihira(C. 475 550 A.D.)meniionslhe groupof Mdhs. fhe Visnupurana, one ofthe earlieslof lhe extantpuriinas. speaksof ihe Saktlol Visnu.lt mentionsseveralnamesof Durgii.andsialeslhat.it worshipped withwine,llesh. etc.,She lulfilsall desires. Whaleverlhe date of originof Tanlramay havebeen,il appearskom spigraphical and ljleraryevidences lhat Tdnlric praclicesprevailed widelylongbetorethe sixlhcenluryA D ll rs nol unreascnable lo supposethal cenlufleseldsped belween lheperiodof Ongin ot Tankicdeasandthetrcodit'cal.on and evenlualelaboralion. Abundanlevidenceis availablelo provethalTanlrareached lhe zenilhol popularitV in lhe period belweenlhe seventhand the lweltthcenluryA D. Winiernilzi0 concludes thatno realTanlra canbe provedlo haveexisledbeforelhe 7th centuryA.D.He is ol the opinon
i hat neither I he SuvartapBbha\sanotlhe Mahem4yti is a lrue occur thatTadricelemenls He comeslo theconclusion Tantra. in eallierwoIks. pul forwardto establish a laleorigin Themainargumenls, ol Tanlra,are as lollows: (i) Tanlra, as a S:istra, has nol been mentionedin lhe famouslexicon N6naliiganusAsanaor Amarakosa. (mukli-khanda) stalesthalthecustoms (ii) The Srtasamr,ilS lo lhosewho are fallen of Paicar6tra,etc.,willbe beneficial thalTanlraaroselong fromthe Vedicwayof lile.Thisindicates afterthe VedawhenVedicaulhorilywas on the wane. (iii) The Naryasaslra, which,in ils presenlform,is generally lo haveoriginated aboulthe fifthcenluryA.D does supposed nol menlion Ndd/,Caktaot Ni\daatisinglrom them;this tends lo orovelhai eilherTanlradid nol existbelorethis workor was noi yel eslablishedas authorilative.Ever since ils inceplion. of Tdnlricworks lhe Tdnlricfaithhas inspiredto composition n some lorm or olheri il will be evidentfrom the chapter describing lhe conlentsof the workson Tantra.The flow oJ Tdnlricwrilingsconlinuedrighldown1othe 191h.cenlury. ln conclusion,we cansaylhal lhoughTAntricworksappeal lo havecomeinlobeingprettylohgafterChrist,Idttrlcbeliels and oracliceswereDartof lhe livesof a seclionol lhe Indian populalion as earlyas lhe Vedictimesand evenearlier. Somescholarshavepointedoulthattherelicsof the Indus Valleycivilisalion(C.3000 B.C.)containtlAtrh'nittis. Ihey holdlhal yantras,mud6s (finger'pose), the mysticmonosyllabic Bijas like KLIM, KRIM, e|c., testify lo the primitivepictorial wrilingand languageconsisling of singlesounds.The black riles of Tanlrahaveparallelpraclicesin primitivelimes. li seemslhal Tantacaraot F'nltic practices,whichform a bulkol Tanlraliterature, werederivedlromveryearlytimes. Wilh the progressoi civilisation, philosophical sophisticated speculalions gol inlo lhis lilerature. Thal is why we find a curiousmixture philosophy of prolound wilhlhewildestsuperstitions
.-
Chapler-1
and most confusedoccultism,of a faul ess social code ol moratrtyand rigidascetjcjsmand a cull disfiguredby wild orgiesinculcating i. extremely reprehensible moralsi OrigihalHomeof Tahtra Nolhingdefinaleis knownaboul the regjon whereTantra originaled.some believethal Tantrasof ihe Agu.u iii"" originatedin Kashmir.Whal is knownas Tantramai travefeen producedfor the trrsltime.In Bengal.Thisoprnionis staieJ oy.wrnlernitz An evrdencethoughnol conclusivF. rn sLrpporl or rheafrovehypothesis is lhatmanuscflpts ol Agamas,wt:|en In sardoascflpl aboundin Kashmir. and lhoseoi the ,anlrd ciass.in Eengaliscript, are available in abundance in Bengal. Theworksol theSamhilaclassarebelieved to haveoriginaied in differenlparlsof India,parlicularly in Deccanana dengai K:im.ikhyd,r,in Assam, is a slrongholdof Tanlra. ll is knownthat Saiklismwas preachedthere-bythe BengaliSdkta. Krsnar;imaNyiiyav;igisa. TheAhomking,Rudrasimh;.became hasdisciole The EengaliTiinfrikscafijedTantrato the tar-offHiml:ijin ^ , Baluchistant lheBengatiBrahmiinandaandhisdiscipte Jiiiiniin;da preachedT;inlricphilosophyand Sadhana:c]'ete. TantrrcSddranain Nepalappears lo havebeenInlJJenced by Benqalsjdhakas,r Tiinlricismin Chinaand Tibet is believedto haveowedils orrgrnlo spreadof Buddhismtrom Bengal.Alisa Dipamkara (980-1053 A.O.)and severalother schol;rstromBenqalwenl overro Ttbel.seltledlhereand wroleon Tantra In supportol lhe Bengalofigin ofTanlra. a furlherevidence. polniedoul by some,is lhal lhe Mah nitv6na-lantra mentions (vi.7 3 )lhree kindsof tishfor use in riluatsilneseare tound n ptenlyafd widelyconsumedin Bengal,,. An anonymo!sverse stales thal lhis Sdstra. having ongrnaledjn Gauda.developedanl\,4ithil:i. existedat som-;
MeaningolTanlra
13
and was deslrovedin Gujarat Gaude ota.eso' lvlahdraslra '/acahtd rdva ma hilaih abaliktlakvaci kvactnmahaaslre gutjarepnlaYam gatla/ The Bengalwork,P/iinaloslriquolesthe Varcdatanlra(x) whrchis staled lo containa descriptionof somesoundsol lhe we learnthat tprecedlng NitgaraalphabetFromthisdescriPlion as v is pronounced as./h.Again,h preceding y is pronoLrnced are like/. Thesecharacteristics b, Iniliadlyy is pronounced nolablein lhe dialectsof Bengal,and,in somecases.in Easl Bengal. .r.enlions vinirfia\ya The colophonlo the Mahekaulaihana as tts provenance, Gaudadvipa lheoriesalsopoinloulthalmanyof lheold Thepro'Bengal parlicularly Tanlra,havebeenlound Buddhist worksonTanlra. of delinilelyBengal Tantric works the n Bengal.Moreover. rituals thanof philosophy: provenance of riles and containmore their earlier oragin. lhis is a sign of Many oJ the Sdkla Pithasare in Bengal.Thoughnot situatedin this province,the Pilhas,kdmardpa,Srihalla. arein lhe (Orissa, according lo some)and Purnagiri Oddiyana of Bengal. neighbourhood Contenlsof Tantra Tantradeals with live topics- Crealion. Tradilaonally powers. Communion ot supernalural Acquisilion Dissolution. Worshlp. withlhe SupremeBeang slales the conlenlsof lhe difterenl fhe Varahi-lantra c asses of Tanlricworks as lollows: adhana, Wtascarana i\gama - ststi,pralaya,devapLijA, salkatma,(nAana, uccAtana,stambhana. vasikatana,vidvesa,santi) Y Amala- srsli,jyotisa,ekhyAna,nityakarma,karma' sitstra,vamabheda,i1tibhecla,yugaclharma Tanlra-_ srsli Walisrsti,tantla'nirnaya.devatAkrlt
Chapter,l trrtha-esrana, BAhmana. pani -la ksana,yantra, devotpa tti, kaIpa vrksa, jyoti sa,p ranAk'hyena, kosa, vrata, saucA-sauce, naraka icAra, strtpurusa Iaksana, rajadharma,denadharma, yu9adharma, vyavaharavidhi, adhyetma varnana, elc. The conlenlsof a completeTantricwork rnay be broady , divided as Jiana at Vdva - (nowjedge.n,,,d ng p, osophral ano nerapFysica I do. trinFswlh d To, otnF ,Uc tendencyand sometjmesa rorr sr c otas This part contains occulltsm Lrcruotnga knowledgeof the myslic bas Ths part . o n r a , n sf o | t r t a e a , o L g u r e . . 2. Yogaot Upaya - means ot mind-conlfot. especralty w t r ht h e o b l e L o r t d c q u ,n g n a q , cp o s p r . 3. Xrya - containjnginslruciions for makrngrdotsand ior conslrucltngand consecfatng rernpes. Carya ot Siddhi- rutesabout flies, lestivars ano soc a duties. -Ih s tourfolddivisionol contenlsis generar oul does nol appry to each and every Tanlncwork. A>-re9d_rds worshto,lhree asppclsoi ,Fe dF y. wo,,hippoo L. a.e recogn,seo.Tnese are sllrura ,,-nage :i,:_":":'": s u K s . mt am a 1 t r aa) 1 dp a r ar h r g h e s r . .boe a o o , a ' e - d e o by.,.
Broadtyspeaking, lhe contents ot Tantratleralurelall into two classes, onephrlosophicaland spiriluallne oiher popular a o prdcliLal Tne latter includes .raqL, mandata, nya9a, cakra, yantz. elc
The principataimotTantrais trberatron and
S/ddhl(supernalura
ij.,'
'oo
l"
5
l.
HUMAN AODY,A MICROCOSM The body s supposedlo consislol five kosas (shealhs), ! t. amianaya (madeoi iood), praramaya(consistinqol v tal fiea\h) nanomaya (made of mind), vtjn^namaya\canssltng Anandamaya(conssting of loy) .1 speca consciorrsness),
The body s be eved to conlan lhree crores and a hali" ol r.:d,s {arleries and verns). Of these, seventy'two are rcgarde.las prominenl.of theseaga n, Iourleenor ten are the t)f fr pal ones.ol theseiourteen,the mosl prom nenl are /da I'r)oa/iiand Sus|/rrni'". The ast and the ongesi one exlendslrcr]. mhhdh,ra lo moksanr;rga. 8/nlrr'arrrdhraln lhe head.Alsocalledbrahmanedi.at r s be eved to contarnlhe universe.Throlgh \ Kundaliit ts s!rplr!s-.dto rnoveupward./de is on the eft side o{ lhe spinal r]or.l A symbol ol lhe moon, it is while, and represenlslhe Amfii aspect of Sakti.Enterng Suslmnd, ils exit s lhrough llre eft nostril Pingala s an the righi side oi the spinalcord Ris f! irom \he \|ibdh'ra. t ends in the righl noslr . Aso ca ed Srrya N;jdr, il symboliseslhe waking condlion. and a.is persons10 v olence. _ Cir{/as The body is believedlo conlain six Cakras ic r. € or nerve-plexus). These afe as fo ows: l'.4uladhAran the middleol lhe body,silualedin the lowest l a r t o l t h e s p n a c o r d , l r a n g u a r n s h a p ew l h i l s a p e x dowfward ll s like a red lotus wlth lour pelas. Kundaltniis s r r p p o s etdo c o a r o u n di t . ' abovelhe milAdhara,brl belawlhe navle Sva.lhislhana .s ke a lotusof srxpalals.presidedover by GoddessRakin I'lafrlpufa I the navel.It is like a lotusol len pelals eacrr rr(rlafofta n ng a leller.Also calledNabhicakra,it conlarnsa lrLrn(re o i t h e c c l o u fo l t h e n s n g s u n .T h e o u l e rs d e s o f l h e lr irrr(.lLe a.e representedby lhre€ Svasilka symbos ll s
Chapter.l presrciedovef by a goddessLakini. AnA.hAb- in the region of lhe heart. lt is like a deep red . . lolus with lwelve pelals. Seal of air, it is presadedover bv goddess Kdktni. V;sttddhaot Bhaatt - n lhe rFgronof lhe nech Sear ol Sarasvati.il is grey and Ike a lotusof stxleenpetals Dresided over bV goddess Lakinj. iTnd between the eyebrows. Also ca ed paramakatAol Muhlatuvent.tl is lthea lolus of lwo pelals whtre n .olour .r 's from lhrs caftla thal lhe lhree nadls, /dd, el(. soaeadoul lo diflerentdrreclions.Svmbolisedby the letlersHa and A.sa rl rs lhe seal of mind. presrdedover by goddessHahrn| Ihe woroA/nameansorder orderof guruwhois supposedto restoe tn tl. . ^Caktabheckat Satcakrabheda(lilerallymeanrngpenetralron or cakras) means lhe manifestal|onor acltvaltonof Cakras. rl rs necessarylor keepingthe body fil and for the dttainmenl of Siddhls. lhe stx Cakras are idenltlied in sor.le fa.tflc works withthe five elementsand the mind,s. Thjs idea appearslo have been based on lhe ancienl Upanisadiclheoraesifor example. the hearl is comparedto a lolus, and il is statedlo have 1Oj Nadls; one ot lhem penetrales the crown of the head: a man movingupwardby il reachesimmortalrty. In this,.onnextol,.he rollowlng Upanlsadsmay be consulted: Chandagya IJpansad Vlll. l. l. viii.6.6.Katha vi.16, prasna iii.6. Ceriiin diagrams also are called Cakfas. Diflerenl works differ in the name: and number of Cakfas.The S//bak,a is oflen menlioned,,.A Tantra called Caktabheda (Deccan College MS. No.962 ol tBa4-87) menlronsthe followingfive Caklas used in Durgdpiij:iaccording b Kauhgama. Raiacakra, Mahecakra, Devacakra, Vhacakra, pasucakra \see Catalogue,vol. XVI on Tantra, p. .163). In anolher m a n u s c r i p(lD e c c a nC o l e g e M S . N o . 9 6 4 o f t A O T9 l t s o m e Olner OaAlas are described as Akactamacakz. nnaclhand Sodhanacakta,Rasicaka, Naksatftcakra (Catatogue. vol XVi
ol Tantra Ntreaning
17
. .251) o n T a n l r aP SfrraAra also called Sttyanlaor lrpuacakta connecled lhe wlh S/rv,dvd has been descnbed in verses quoled in p and Samiara;Fya ot A^a.dagirtrBib Indlcaed 1868) 255 i\ I.he Selubandha commenlary on lhe NilyAsodasikarnava fhe it.:t-sa) quoting lrcm Yamala (prchably Budrcyamah\ somewhdl {verse I1) also describesil A rauncta,yalahart dillFienl des.ripllon oLcurs In a work called Deviahasva (DeccanCollegeMS. No 49Oot 18s5 98) A descriplionol lhe batra is as lotlows.A Cakrais lo be drawn wilh lhe bindu In a small triangle The birdu slands for Sakfi or Mtlaptakrtt The;eare ninelrianglesfiveof whichhavelheir apex solidrlied. downward:these represenls Sakll and four, represenlingSiva have their apex upward The b/rdu is situaledin lhe smallest t ar,qe po'.llinqdownwardThere are two parls of ltiangles lolus l6 petalledlolus rnen'14irianqles lhen elghl_pelalled wilh four gales lhese lines boundary lhen 3 circles.thenlhree yanlra and lhe loluses of the section ten laltertJeinglhe ouler Yantrc'Ihete of the section inner pelals the being ol 8 and 16 Cakra inside lhe parl the of The angles is a lotal of 43 ol Yanlra is The worship bhupurais called boundary lines lhe lhrough Kunda'ni awakened is laklng bahryaga Anlarvaga wlth il unilinq and lhen rrorn i/racaita Muladhardlo Calrasl S va in the Sahasfara-cakra lhe six Cakras are identitied w h the five elemenlsand the mind. Sahasfiira Padmd' At lhe cenlre ol lhe head is localed lhe Brahmarandhra throuqhwhich vital brealhor life is supposed10 exit al dealh li is c;nceived as a mullicolouredlolus of a lhousandpelals' facingdownward. The Cakras, accordinglo the Kaula syslem are as follows in lhe ascendingorder : NadicaktainlheianmasthanaBased ort il is M yecakta in the navel (lrom here il prevaoes everwhere). iogacaka (in the hearl, centre ol yoga\. Bhdanacaka (in lhe ti/u regi;n). Dipticakta\Bindusthenainbelween the eye'
18
Chapler1
brows),Sanlacakfa (in lhe niidaslhdna). fhe SAdhakarealisesil as lustrouslikea croreof suns andcoollikea croreof moons.8y rousinglhisenergyonecan reachthe higherslate of exislenceWhen it is roused lhe enlrrebeingof a personis {loodedwithverydelicaleambrosia oi music lhis music is called Kundalini-kujana(sang of Rele idenlifiesKundaliniwilh the righl vagus nerve.Bul. (Avalon)discardsthe view:he sayslhal I is not Woodroffe a nerve.r any olherphysicalsubslance or mentaltacullyiii rs ratherlhe groundsubslanceol bolh Kuvalaydnanda also rejecisReleslheory.The Rudtayemala (XXXVI6 168)gives 1008namesof Kundallni. allbeginning wrlhKa Sabdabrahma ls supposedlo resideh Kundalint. Besideslhe individualkurda lini,fa .amenlionsaMalakundali The formerdevelopspersonalexistence.By gellingupon Mahakundalione canlranscendthe narrowpersonalslale.and eslablishhimselfin lhe wideuniversal slaletMahi\kundaliis al lhe rool ol lhe universe. HUMANNATURE In accordance withthe preponderance of ihe qualilies ol Sattva.Rajasand lamas,humannalureis dividedinlo three classes.On lhe basisol lhesequalities, humanpropensilies have been dividedinto three classes,v1z Divyabhava Vtrabhavaand Pasubhava. Ihe i"4ailryupanisad \vi. 21) menlionsSusumnaNadi as movingupwardfhe BrhAdaranyaka \11.119)speaksof72.000 The Cakrasare somelimesidenlifiedwilh lhe nerve p exusesoJ modernphysiology. Thrsappearslo be wrongin vew of the lacl thal, in Tantralhese are inraginary lhings belonging 1olhe subtlebodyand nol the grossbodyso that lhesedisappear with the deathof a person. A personwilhthepreponderanceof Pasubldva1stiedwith
Meanlngo! Tantra
19
shamehalredfamllv ,h4rpllersol klndnesslnlaluallonleal 'i'""I'"i over an r" hrmlhrlA rs elcpssol Fdl;s gulU ''",}ili'"" in lairh no has He "r" "r.i" idleanddrowsy '"l"'n"itr, ',11n'irr)it.'a. lo Tanlra iuu*es vedrcpraclicesAccoldrng ro rhF '"" A pelson wrrhvrrabhavadue lead ::'-';;;";.;;; "i qualiiyol Falas doessuchaclsas ll";:".,""""" ol1"e "i,n" tnepreoon"nance ::"":.'j' 3?;;;l ;;';a'va navins l r u lhlul pule I s t h e b e s lH e i s k i n d p i o u s ^",]i,^, " i . s r r r t , alriluderowardslrrendsand loes :;: :-::;;";" SADHANA- PAftCATATTVA is the meanslo lhe Sddhanelworship propitiaiion)'l wavsol sadhan; o' s/ddhr{successpowerr he - ^ ol saslras /apr "r".ini :':' ,;," ,;,;,;r' or rnenlal)knowledge e'c (incanlar'on) i,oas {penance'manrra i" ' "'i.''noi:"""'i and sedhlkasare divided in accordance loJl menlaland moral qualrl'esr'\'o l a l "uon"r"" n,',, n.ri-pnys'cat a n d A d h m d t t a h a a) . , " r , * . r ' i . r r f M d u t 2 l M a d h y a nB Tanlia lhe sadhaKas Accordinglo the Kaulaschoolof are ol the followingclasses: and olhel 1 Pr2k I- yirdcdlrn- engagedin sacrilrce pancalallvas rllualsand resorlinglo lhe dilJerence 2 MadhyamaKaulika- llke Prakrii wilh that his mindis moreattachedlo med[aton' and concenlrallon' knowledge - lhose who go beyondritualism and 3 Kautikotiama meditaleon the SupremeBeing ol ln I antricworship.patcafaltva' also calledKuladravya role imporlanl Kulalall;a. denotingI i\te Mararas'plays an muda rt l7)rJy*'t*i"e) rr,amsa(meal)'matsya\fisl'') """ "i. (linger'pose). ;aitilna (sexualinlercourse)' whenthe sexualintelcourse SomeTanlrasrecommend energy sexual and her t"."r" f"ri""i i" i" n"r monlhlyillness
2A Chapler-1
ijrjr: ti:ffi;"; il:[1 ;tri,i?fu"]i''*i ,i",,iTill
MeanlngolTanlra
21
i a Kautika.but nol in a devole of the pasu lype Maithuna dualityol the aPparenl lhe basicunilyunderlying ;ymbolises ever!'1hing. madhuratraya fhe Maftanitvana \\iii. 170 173)recommends madya Fol lot as substilutes subslances) sweet Ithree iallhu,'ra it substitutesmedilaiionon lhe feel ot Deri andiapa ot lhe desiredmarha. Paicatattvais not prescribedfor all S:idhakas.One who hasreacheda highslageof spirituallife,canlakea paicata va of the gufu Asa saleguard andlhal alsounderlhe guidance againsl unreslralnedenjoymenlof pancalatlvas,alletnaltve Jorthosehavingan excessof animal ailiclesare prescribed propensities, and, as such, lackingin the requisileselt @sl(ain|.Pancatattvaiscommendedlor Sadhakasal the Vira of selfconlrol.Some explainthe type lhey are possessed js makdrasas follows:Madya the slreamof neclarissuingfrom the abodeof the soul.Ma,syastandstor the brain-cavity. of vilalarr. suppression Mdmsameansvowof silence-Mirthunameansmeditation on creationand deslruclion. appearsto describehow lhe three Ihe Kaularchasya2s L4akards,Madya, MAmsa,Maithuna,were enjoyed by the wineup lo throat.eating commonpeople.li speaksof drinking lnealandenjoyingbeaulifulwomen.Ouolinglhe Kaulatahasya 1heHamsaviksa(p. 104)says thal bhogaand moksado nol women.bolhlhese coexislBut.for one,whoenioysbeautilul
ji:: fi,:"',,""'i,:#t',"1;t{*t*ni5ii*t*'*ii:T"r ^
As regardsthe modeo, Tanlric se)
qt:,.##i".*q#.i,1"ffi frli,."d higfr
j;; ::,Jl:ffi,rid,.r,eJi:,:i:"f,,,i"xli,:x..;r_
;i'i.:::.;*rJ ;drn';x.:";* ryfi *' 5i j::ii:.' :;',**l*,g'*lhz* h""
:::"":,.-" l ii i'Ji:l:; ;f n.f ";i;"y,lfiii{,#:H'"":iff""lffi :i'l: ;::t;::" ::1.,,ii',i T*:rff i;:hTgilift.
*"Jjli{iffH""4.ff$:[+#Fil"iiiil#,j nli{ii":rft fr;}tillx',l;"#irp,=##li'
to low-classpeople,are entitledto All ffom Brdhmanas Kauladharmaaccotdingla the nah,nirv4na \ti't 144) lhe following suggests TheKaukvali'nimaya \V. 113-123) ioney In a can use subslitulesfor lhe Maka\rcs.A Bdhmana bellmelal in a coppervesselor cow'smilkor coconulwaler ginger be used garlic and can vessel.ln lhe absenceol meat. Roasled used lorfish BullalomilkorlhaloJlhesheepmaybe lru ls and rools may be usedIot Maithuna.
'"iidrillfi il#i*r"#"4;:1,+i*,,-l,l=ni; :lx #lll hxr:;;i'li*:1:*#Tili?i
""n'"*j ;"*xT,,:rffi ffi";Jj :,;:""""',',T ri;"Hi,g#fitr
22
Chapier-1
, r : o t r h e o p , n t o n, h d t l h a s , g n t l i c d n c e ,..,1or" ot rt4atdlas was detiberdtelvpreverleobv viuiouspeople. I n e
o*,li",l:: ,",^",11;"'-"il' ;:fl,'ff,i'i,l,,[XT"""" *::l"J i;: sugges|ng
symbolcinrFrprelations ol
ffi'_t'n9'n''.'ut,"o
d 'ecogntsesrhe fdcl that.for progress drongthe polL one has lo prFpa,ethe boOV. inO minc bod! Ldn be made it by dtfferenlposturos ";ratOrearr. ,usanasl ,r.1e Tor' pr6pa n9 lhe v,rdJbrearl-.onp has to pract( a p € nol".u ino ts ptepatedhy bhavana(contemplationJ Three stagesof sddhana are rientioned Ihese are 1. Suddhi _.ridding oneself of pnysrcat and mental impurilies. 2. Sthiti _ gelting rid of the darkness ot dejusion and lhe tight of knowJedgeshining. 3 Arpana_ realisationof ore,s identtty with the objecl ot meditation , .Tant
loj,rlrirrrr*r, "nO
"""
entiatarenana,taryana,sandhyA,ptijA
Kundalini-yog.irz
,n" basicrhingfof Tiinlricsdonara.rhe -^,",lll: energv : dormant splflrudl is supposedlo corlroundnutuanura lir:i a serpent,' lis gradual ascenl
by penettali rheap.^rbrahmatanon*, 3:ff;:" " " i,i"'",,".,i1i13,1T
Tanlraprovidesrhatone must tdenttfy onesettwtlhIhe de,ry . - - *9*n'q: Nvasa dhydna.japa ate ;mporrant ::: etemenlsin pLla_lhe olfeflngs mav be fivF to IFn in number. Jn lanlrd. .1:1:., p't. rmental worship) ,s regaroeo as sLrpFflorlo
erld..1he sahtananda.taran\tni lvrr saysrnai rnI :J-:l:aj searci tot god
oulsjde havrngdis.cga'rdedgoOwtlf;n onsell
jewe n s rhe like the quest ot glass ignoringthe Kaustubha pula cs fenltic one s own hand Se l_surrendercharacierst siddhi S/ddhl.allainablethroughsddhara,may be ol many k nds mantrasiddhi(Successin mattras), vaksiddhl(success e a.. -speech). By lhe lormer,manlra s madeto secureihe desired !n result. By the latter, the speech becomes infallible Aller reachng lhe peak of spirtla I fe, one can posses lrle e gnl siddhis.vlz, anlma (power ol assuming an atomic lrg!re) nahime lpawe( of increasing one's size al wilt) laghtme (acquiring superonly excessiveLghtnessal will),lsilva (assLrming wt to ones (subduing all ) Praptl over olh;rs), vasliva w l) kamavasayita (irresistible (obtalninganyllngai w ll)prakamya (suppressionoi Passon or des re) mantrasled According1oihe Mah6nlrvdra(1114_15),Vedic in Kali Age But, Yugas other \o deslredresuls n Salya and In berngs' ike dead or venom these are ke serpentsw lhout lead lo quick and resLllts, yield ths aqe. Tentrc manlras sa vation.Th s Tantraprescribes(iii 14) that lhe mantra Om sac-cid'ekambrahma in lhe besli mere perfecton ln ths manta causesthe soul to rnergein Brahma' lor sometimes,the repett on 01a mantta s recommendeo like conlro great ellect ensure to a lac or even ilve lac times ol even a klng ln some cases,Tantricmantrasate requiredlo be recited ke a Veclicone, wrth the names oi the sage' the meter,tlre de ly and Viniyaga(aPPllcallon). Some Ved c maniras also are used in Tantra, bul lor purposesotherlhan thoseln lhe Veda.For example,lhe manlra jatavedase sunavamalRv l.99 1), thoughaddressedlo Agn ' is employedin invocation10 Durge. Mantradllerc irom prayer in that, whle the forrner has lixed syllables,the latter may be said in any form The syllable; of a mantra ate regardedas the manilestalionoi
ChapleFl
Sakti. Varielres ol manlradre calledby vaflousname! luch a _ Aavaca,Hrdaya,Astrc, Raksa elc. As seedis sownon a soilwhichis cultivated andwalered, pul a disciptes r,ea wr.,i,n,, p ,,e :2: .inlo " ano ::f nas .!:!'rj been drenched by lhe walero, Cod.smercy.Ihe MahAnivana(V. 1a-19)statesthal gr.aslike Hrim, Kri; make the form of the deityvisjble. Mostol lhe Tanlrasparitcutarly lhe pdlasuF'ma katpast)tra ,_ Jnanatnava tne SandAtttakahold thal marllas possess wondedvl andincomprehensibie pafas power.The ,]-l-111.,1""1:9":.rarrh ", ".u.k;tr;;;,; as lhe cause ot this power rhe s.aradautahd (ll 57.59)divtdesmanlrcsr:|lolhreerlasses vrz. masculnefemjnine andneulerThoseendtngIn Hum Phalaremaje.thoseendingin lhaarelemaleanOihose and enOlng In /vamasate neuter
o:n:rmjngor carryinsourbetoresomethrng ." ^,tJi.",]:ll.T":* ^utarlava{xvii 8/) stales,hal purdscafana ts so called ,:ll oecausF. DVlt e live-loldupasara lhe desrreodehy moves
'?!* conterrhg herfavour onnrm.Accordrns 1":f *1",r:',f." l9r the pedellinq to t".e vayavtya-samhltii.
o, lhp p,ocedures oj' lhe,MuhmanttaE Lalledpunscatana: because rr has to be pertormedbeforelhe acts in whichil is to be empjoyed. In lanlra,it meansa rile in whichVedicandTdnlric mantras are pulascarunaol a mantrc repealed has lhe lollowina ,The,, rn^n, pula ldpa.horna taryana.abh9ckaana "-.onstrtuer']1. t-eut I rranmanas lr d shoder fo,.n lhe rtr!l ,hree are per,tormedDasarga puescatana conststIn lhe lollowtng surl,2tshvaptp,7712 tKautdatn,ma,: ?11."'11"11:.:-iq"r,?rrsana | -as Deendeall w;rh In many lantras ot whrchthe !\v,
M;hantuanatv7b85).Kurarrva
l,j.Y ,, ) | 'i?"":::?:il,:li /zl 5arodr,lokd(.t1-1381|4AtAhtrbudhnya,r.X (xv 5p 53). J tvahhrasamhta(pal;la jq versej 13-331.ia, !9amgama sunddri lll 1rS 56 XIV 45 46. G a n a h a t v a\ x | l l l 7 . g
Meanrngol Tanlra
25
a'knlra lv'6-7'Krsnananda's aryenava, v l. p.41g' Ke!ivilas Pu rasc TantGsata. Raqhavabhalta,in his commenlaryon lhe Saradalilaka wrlh detailsol ,xvr-56i.dedrs e)(haustively ARE cornmon 10 al\ manlras. manrfa 11is regarded as indispensabletor making the grip ot a in the eflectiv;. R;ghavabhatiasays that as a man' Putascarana do anything,so a manlrawiiholl Jisease,cann-or ls abortive.
place -ver T n e D l a c p ss, J l a o l e i o r l h l s r i l e a r e a h o l y lop ol a mounlaln conlluenceol nvers' rool ol a o"n* happy "ri" Bilvatree,temple,seashore,any placewhereone leels lood oblalred One. periormlnglnrs nle is requlredto eal vegelables bv bpqglnorfor E.ahrnacatinandYatl havisyan4d fruils. nilk, bulbous rools, Darley The practices,to be avoided'are sexualintercoursemeal' w ne, speaklngwilh women and Sudras' Japa should be done lrom mornlnglo noon' Aiter lhe rite is commenced'the devoteemay encounler remains obslacles, disiurbancesand terrible sights.lf he lo sticks ll he results. unmoved,he will achievemiraculous pleasant dreams, joy, see lhe prescribedlong time' he will get lhe hear sweel musicand enloylragrance;theseare someol signs of the perlectionof lhe mantta'
There are varying modesot Purascaranain accordance with the natureol the devotees'Pasu' Vira and Divya Yoga
ln Tantra, yoga is mainly lwoiold, hathayogaand pavlng discipline in physical lot;er consists sanadhiyoga.lf,e lhe way lo mind_conlrol. insleadol lhe HalhayogahasIhe lallowingfiveaccessories Patanjali eight prescr;ed in lhe yoga syslem of
26
Chapter-1 Yama-
conlrcl ol the senses, non,violence,etc sludy ol Saskas, meditationon God. - controloi brealh. -
wrthdrawlof lhe sense lrorn lhe wordly
Asana -
a particularpostureoi lhe body SamAdhiyogais sixlold:
Dhyena, NAda, Basenanda, Layasiddhi, Bhakti, RAja. The iundamentaldrlferencebelween the yoga of lhe Yoqasaslra ol PalaFjali and yoga in fanta is this. In Tantra. there is no driterencebelweenSakli and Tatlvaso lhat Sakt surrnountsattobslacles,and effectslhe unionol the yogl, wilh lhe SupremeSiva.Pataajati,however,does not recogniseany Supremepower exceptingprakrll so lhal lhe yogl/r has no 'arrllla.irv w'll^ any Saklt beyoao pGhtn. KAya (ot Deha) -
Siddhi A lundamentaldillerence betweenthe BrehmanicatSdstra and Tanlia is thal, whilethe formerordatnsphysicalsuilering or sell-moftificationas a means to lhe goal. the la er emphaslsesthe valueof the body as meanslo sadhana.Th s is nol lo say ihal the BriihmanicalSdstra neglectsthe body On the contrary,it regardsthe body as the very firsl means lot lhe ptaclice ol dharma As Kalidasasays (Kumarasambhava, V.) sariram adyam khalu dhatmasadhanam.fhe Smlti_sasl/a containselaboraterules lor havjnga good healthand recipe for long |ie. But, it lays a great stress on long last, arduous and slren!ous rites and rituals,abslenlionlrom wtne, elc.. conlinenceand restraintin enjoymentsot the objeclsoi sense Tantra,however,allowsthe devoleeto indulgein enioyrnent ol the objectsoi sense, ol course within timits.The core 01 TantraSadhanais muklllhroughbhukli,a conceptabsolulety lorergnto lhe orlhodoxreligionand philosophy. ManLrunwquivocally sIaIes
Prcvtnirese bhitanem nivtttistu mahephab/ oJcreatulesfor thesethings;cessatrlon Thereis inclination to gleat result' leads of des re, however, Whlle orthodoxlndianphilosophyis concernedmore wrln philosophyvigo'oJsly sd\alion .n I_e other world. Tdntric lile) in (liberahon advocaleslvanmuktt lhinkersused 1obelievethat' A schoolol Tdnlric'Alchemic and chemicaldrugs lhe processes mantras yogic bv certaln imperishableso that be made blood could oiav ot iteitr-ano Mtlyuniaya lanltas ana KAbdahana deat^.1\e ,L cor.o de'v (makingtne body Kayasiddhr ol tethods to .ont"in "'" ,t"t"d fit or unconsclonablylonglived). lhai when keyaslddhilakes place,the Eooy lr LsbeLieved full ol yollhful lustre,does nol become Valra and slronq as and death.Theconceplionis nothrng disease lo decay, subie;t new wilh the Buddhistsand Alchemistsin whose lreatisesit has been deall with in delail.The power oJ yoga in rendenng the body lree irom ihe i1ls,to which it is ordinarilysubjected has bee; clearly stated in the iollowing lines ol the Svetasvalara Upanisad \2, 12): na tas|a rogo na iara na mrtYuh / pnptas|a YogAgnimavamsairam / One. havinga body conditionedby yoga' has no orsease' no decrepitudenor death The oreal eJlicacyoJ mercury and mica, in imparting adamantiie strength io the body and preservingit for an rncrediblelengthof time, has been recognisedparlicularlyin lhe works on;lchemy. Mercury is called [email protected] o( Rasa ll rs be leved to be Slva's Sernen (Slva-vlrya) and mica is supposedto be derivedtrom Sakti 1 is intereslingto note that the Nalha seci oJ Yogl's tradlionallyorigrnatedby Adinathaand inkod!ced amonglhe laler inlluencedby ihe Baulsand leople by i,4atsyendranalha, Sahayrya-sadhakas, iollowinglhe Vajrayanamode' vigorously
theNarhas berieved inaprocess which lJx?i:",if fii]i.'ornr The rhousand-petalled lotLrswtlhinIhe heao
'"J#il3.',1 ;ff#; i'.:"":ff f:i,J,i:l*1"5:,1;?: ,"
ts lLrneddown.
I Om{a.arrs to be mFdjtaledupon.I he gatewav oI Behmatanclhta rhese thrngsberngdoie. lhe downward ftow ol l1: 9:,:h.rr amotosra ls checked.Thts process ts called AiasacandtaYog;na.tt is supposedthar tho 91:d,:,,:u lurce axuded wnhrr lhe lh". body is drilled upwardOylhe.rpotow,ng winA,anJ slored In Sahas/ara The believersIn rhtstheori 'c admil lou. lk,')ds of Candra(moonl vt/ . Adicandta Nlacanaa. Unmadacarnta
?::^?:,:!::::":1
6
N.iiacandra which;sor rhenaru,eoi rujce
8 9
10 12
J,4SA XXVI 1930 pp. 129 Ll. O n l h e q u e s t i o n o i l h e p r o r i t y o i B u d d h i s lT a n l r a o v e r N nd! Tanrraor !ice versa see B Bhanacharya Saclhananala ( n l r o , I P L X X V I I) a n d W i n t e r n i t zH L L l p 4 0 1 F o r e x a m p l e ,H a r s a c i t a ( e d K a n e ) , l . p p 1 0 2 s 5 0 e l c ' Kadanbari lett Kale) P 56 Uide Foate Collectian al lndian Pre'histoic and Prato h i s t a . i cA n t t q u i t i e s ,M a d r a s , 1 9 1 6 K R S u b r a m a na r n Arigin af Savisn and its Histary in Tanil land' Madtas 1 9 2 0 . l y e n g e r S t a n eA g e i n / n d j a , M a d r a s H/L i
p. 635.
W i n l e r n l z . H , s r o r ya l l n d i a n L i t e n t u r e , l , 1 9 2 7 p . 5 9 1 A c c o r dn g l o s o m e , t h e n a m e i s t h e H i n d us e d i o m 0 1 k a r n e - k h a t, h e n a r n eo i a g o d d e s sw o r s h i p p e db y l h e K h a s trbe n rhe iorm oi a yoni \lelr'aleorgan) see N N. Bhairacharya Histary at Tantric Religion, p. 143
?,i:l,.xTl?,1_,?[,]: :ri!l.-.',{3:1,:l# i,i"i,",iiil1,xJl,ff minina invisorares rhesysrem l:.J[li:ryano
ilT [#:
BuddhislsandVaisnava Sahajivasbelievein Kayasiddhi .The as the obiecl ol sadhana
i3
Vide Vanglat Sadhana by K. [,'1.Sen, pp 47 43 W e s h a l s e e t h a l i h i s T a n l r a o r i g l n a t e di n B e n g a l
15
A c c o r d i n gl o s o m e , 7 2 , 0 0 0 .
16
See Pranatosni, l. 4 9alcakranirupana, Raghavabhaltas corirn. on Sarcdatlaka xxv. 38
*'i?"S;Jfl i"l?.',ifl ,",iif i""l",'IJ,"ilii",,,li"Sil::#
lo refer to a body oblainedby some sort ol kayasajhana. Foolnotes
2 l
5
l l r . - b e l i F \ , e oh a ' l t , e s e , e g o - s w e " so lrnoo dcco.dtng '^" o r L a n s p o , r u s e o r . h e r | v 1 , ,J L 1 d ' h a A s vl la" :. :L, "; .a b n e a - . a s p € c t , v e . ys e a - q o , n q h o r s ea n d e t e p h a n t . F o f l h e r e g i o n s i n d i c a t 6 db y r h e s e n a m e s see ctossary V i d e T a n t r i kl e x t s , V o i . 1 , e d A . A v a t o n tnrro, pp r-rv V i d e P C . E a g c h i , S t u d i e si n T a n t r a s p , .3 4 See Bahvrcapanisad _ Saisa para saktih hadividyeti va sadtytdyer; Atso see comm V i d e H . P S a s r r i N e p a l C a t a t o g u e I, p p 1 0 , Bs ti7
17 18
E g Saundaryalahati, v. 9
19
See Sakrl and Sakia by Woodrolle (3rd ed ) p 399 G Kav ral describes the syslem ol Cakras according to G o r a k s a n a t h lan S a r a s v a t i b h a v a nsat u d i e s ,l i p p 8 3 9 2 l n t h e l r a n s a r i o n o 1 S a t c a k n n i r u P a n a{ p a t e s i v i ) A v a o n l 1 ! s l r a t e sl h e s i x C a k r a s a n d S a h a s r a r a( p l a 1 eV l ! L )a l o n g w r h t h e i r r o o u r s e l c F o f C a k f a s - w i t h i l u s l r a l o n ss. e e C W. Leadbeatet, Cakras. S e e P V . K a n e H i s t o r yo f D h a r n a s a s t r aV, p t . 2 p p 1 1 3 7 _ 3B
20 21 22
S e e s a l c a k f a n i r u p a r aX L I X L l l Somellmes called Sura which, aceording to l"'latrkabheda )s l a n t r al i 4 0 ) i s s o c a l l e d a s i l i r n p a r t ss u r a l v a( d i v i n i t v a
23.
A c c o r d i n gr o s o m e , a p r e p a r a r b no t h e m p c a r t e o V/ara ol
24.
y1"- atsoot the Kaulainana nnnaya M. .tB.1s) I:f::l!: a n o B r a s k a r a r a y aI n h r s ( v 6 r s e s8 7 - 9 1 ) .
25
27.
24. 29.
cornm on the Lal asahasra.nana
D - € c c a hC o € 9 6 V S . N o . 9 5 9 o t 1 g 8 4 . 8 7 r C o p r € o Srnval 1 7 9 0 - 1 7 3A 4 D) E.g. D. N. 8ose, Tanttas - then phjtosoprl 6rc. p. jto F o r . t h € s c i € . t i . i c b a s t s o t K r r r d a l r n ra - o t L e a l r r r u d eo l noo€rr screntits to L se€ cop Krishnr A/orogrcal Easrs a I H e h g t o na h d G e n t u s .a n d i l s n t , o d u c t r o -o y W e r z s a c k 6 , l l s e 6 m s l o b e a ^ t t c r p a l e do y s a r p a l a / n{/ s e , p e n . . o _ e € - , o. the Fgvada
ay copinalh Kavnaj,repuredas a Tanrric Sadhaka at hi9h ord6r, He not€s thal o n e , R a m a t i n g a S a s t r t n a Cidambaram,Madras (Tamil N a d u ) , w h o t i v e d a b o u t o t a hundr€dyears ago, atlain€dKayasiddhi. See G. Kavnaj, Tanttic sadhaha o siddhanta, |', p 166
Chapter-2
Natureof TantricDoctrines
Chapter-2 Dva,la(DuaIslrc)d_d I hese dre Adlalia (1o.-dualistrc). 64 BhairavaAgamas, Dvaitadvaita(dualislic-non-dualistic).The stated to have emanaled Jrom lhe mouth of Siva arc AdvitaTen Saiva Agamasa e DawG. ln l8 RaudraAgamss lhere rs a mixlure ol ditterentdoclrines. Theory ot Creation -
Siva, Sakti
The SupremeBrahmanis eternaland unchanging.He is both niskala and sakala: ka6 mea s Ptakrlt. The Saktiof Brahmanis eternaland inseparablekom Him. This saklr is nifgura (without altribules)and saglna (wth aitributes).As goddess in lhe torm ol consciousness,she manifeststhe being and, throughher as goddessin lhe lorm ol bliss (dnanda). ErahmanmanilestsHimself.Sakti pervadeslhe universe likeoil in sesamum-F om Brahma-Sakti aroseNadalrom which ptoceeded Bindu. The subtlebody of the goddessis reJe(edto as mularnantatnikal (consiituledby the basic mantra). Siva, enlangledin the web ol Maya, and the lalent Sakli are conceivedas the supreme8/ndu. The Bmda,circularin shape,is boundedby lhe circumJerence oI Maya. Al ils cenlre is lhe place ot Brahman,the abode ol Prakrti-Purusa.'lh\svety Bindu is Prakrti-Purusa,SabdaBrahmanor Apara-Brahman. As a result ol the union of Siva and Saklj, lhe goddess becomesinclined(unmukhl)lo Siva.Then the web of M6ya is snapped,and crealronproceeds, The relaiionshipol Siva and Saktiis conlroversial.According 10 lhe Kularnava(i. 110), some advocalenon-dualily,others desire duality.
Chapter-2 Sabda,Brahmanmanifests itseti in lhree Sakl/s, viz., Jtiira (knowledge), /cchii (desire) and Kriya (actian) iollowinglerms are used lo conveyrne compteteness . -The ol S va. Syata?,rdla ttndeoendencer. nrlyJtarete.na.tlyt . nt!,a-trptdld {oUaiirvOl ba'ng ever COrlentedr,Sarla/rala rOrt-,SCrenCe/. FromParamasiva a ses Sambhu,from SambhuSadasiva. , lrom Sadasrvatsanaand Rudra,Vishnu,Siva arise wrth lhe|l own Saklrs wiihoul which they have no power. Inlhe AlahAniry'ana Siva has been ca ed Sambhu.Sadds va ^ Sankara.lvlahesvara, etc., each lerm indrcatng the d Lerent con0[tons, qualitiesor rnanifeslalion of the single srva. thtaJg^ gr ooth Meya and Ay'utaD.a^.t, .-^::u' powe." olln:.fo'.n Ire Maya. B.ahna- corLeat5 Hrs ow. .o,.r, a;d appea'c,n dllferenlmanleslations. Mutapta^ r rs Jnn an .6s.ed. 'n rna rranttesl.ondition, she restde!in thc urrverseconstsl,ng ol diverse names and iorms. Siva-Saktr resides in lhe maadhara and Kundatini within Ine human body.In all processes,Sabda grahmanresides n llre lorm ot Kundatiniand in rnanifestedas aksaras(tetters). The orderof creation,accordingto Tantra,is as iollows Mulaprakrti-Sak|,(resor|ng to S va) tMahat
Ahamkara
t"i;""! o,.
(Vaikarika
Rajasika
r"illk"
Ahamkara Sallvrka
beings Pancabhuta
S-.aft, is var ouslv catled Maya, Mahdmaya Dev,, pahnl elc. s ltoth Vdya aad Awdya. A< Avtdya \he LaL
Natureof TantricDoctrines
35
36
Chapler.2
be l,ealed-ds rne h:grest o,v n,ry.-lhese .nay oe ^::::::, Veda .Y agnoc',c tic or Sankhyatre - ou, ook. B. B,arr"cnarya ( n lntro. lo Sadhanamale//) may have overemphasised the npo.tdncr!l SJll, bV laytng rnat a rearJanrramus, r ava a.r e erienl ol .9dlt lr sho j,o be noleolFat Srklr s lh. oc\,gndtton atso ot the woman (one,sown wrteor wtle ol anotherp;rson) wlth whom qexual,ntercourse lmalhuna as one o, the ,ve ma^aras)t> to be had in a T anlrtc te She rs arsocalled I ald and lhls rilual ts called La6sedhana (L4ahenirvena. 1.52).
DASAMAHAVIDYA I' Tdnl'a, Sa{/l is also careo yidya o. (arre 5a{/i r/ho ,s se,o-d to none,haSbeen a.oerr< So trey are coltecttve'yknown as rne narnesdrtferin difierentworks ln the CamundAlantra, the names are as io ows : Kali,Ta.a, Sodast.Bhuvanesva. Bharravr.Chtnnamaqtd. ^, unurnavalr,vagala, I\,4dtanqr, Kamata. Ihe Malint-vijaya gives the fo owing list : Kdll,Nilri,Mahiidurgd, Tvaritd,Chinnamasiakd, Viigviidini, . Ann-aDr.na, P atya19,.as.Kamd\Lya.Vasa,. Ba a. Nfatangr r a r a v a s t n t .h e n u m b e r s 1 3 The ils! in the Mundameb-hntratatles wrth lhal rn lhe -.. Cemunda-lanlraabove. beFnd,vided.in some rantrac.e.g . y"n^"!Ov1t ^,.-.r.:: .n"ve /v/.uld,d.(r 6,8) Inrolwo groups_ thoseDeto^gtngloKahAuta ano lnose betonginglo Sr \uJa r,d.n y o, l'::^_:T]_,"t,K"") La{sml rothe .ortre' belongKati.Tara. ChinnamastaBhJvanes;dr. Mahrsarra.di^., Tr.pura, Tvar:la,Durga.Vidvaand pja,va-gr,as. ro rne a|,er.lreto-gSundar..Bhairavr.Bara.Vagara.(aiata unLndval. llatangt,SvaD.avalt l\ladlrmat and Va,dvtdya lhe lolal number is 20 Some scholars are ol optnion lhal lrom the Buddhisi SedhanamataI appears lhai lhe rdea ol I\,4ihavidyds was derivedlrom BuddhisiTantra.
Narureoi TantricDoctrines Acdra are recognisedThese In Tantra,var ous modesol saidhan:i accordlnglo offlers n ne are sevenaccordingto someTantras' are menlrone0l modes lollowing lnlhe KuEmava lchap.ii),lhe t) Vedace!a.| ) Va'navacera |t) SaNacata\''tl Da|sinacata \\l iamavarc tv ' SddhanhceG Nr) Kaulacara preceorng Each succeedlngin the list is higherlhan the ln lhe riiuaLs Vedic oJ yedicara consistsin an abundance one. lirm has fallh, and gives a blind Llp secondone, the Sddhaka on of devot way li is lhe iailh In lhe savrngpowerol Brahman of knowledge way into the ln lhe thirdone lhe devoleeenlers Lnit, he comb nes bhakljand sakljw th iaith;he triesto acquife sak, ln the lourlh mode, lhe sadhaka becomes able lo medilale upon the three saklis ol ktiyii' iccht; and JiAna ol Brahman.and acquirelitnesslor the worshipol the three viz In the lifth one lhe sidhaka Brahman-Visnu and lvlahesvara. (cessatlorol desire) 'rorn lo pravrriir Droceeds lacllvrly) t,vrlli etc witl_wFich a shamo delusron. ol in rt he cJls Ihp bondc Patananda-sutra lhe to According pasubhava is tled oersonol vz Madhyama1r kinds' ol two \s vemecAta io.o. 1'3. 13), in which Ulfama io, and resorted are l''talaras *ni"r, a tt e iiue v\ord lo The teso.Ieo \Aai'Jna ate drd M"&a on.y lvaoya. l'om DaAstna Va-a appa"nl'r n'ars lelf as drstingLs'eo yjmi (worran): ' ll as ta\e So'ne D'lislndadtd rohl, VJmaca,a,ac^o,ot^q\o them,mea's lhat acardwhiche'nphas5es woman as an essentialelemenlin sddhana The way to lhe alta nmenl oi Sivahood,got in this acara is compleledIn lhe srxlh He can now,wih lhe help ol lhe guru, teach Kailacara ln thLscond lion, he becomesliberatedin life (Jivanmukta)and withthe knowledgeolBrahman'reacheslhe siaieol Paramahamsa lhis is the hlghesl goal ol Tantricsidna'a fhe MahenirvAnalxl l2) holdsthat one does nol become Abhiseka a Kaulaby merelydrlnkingwine' but by unde.goi.,g as Kulecata knowr is Makaras live wlth lh; y'worsnip Genera Accordinglo rhe Mahenitvena(vii 97_98)'Kula is the Akdsa' desrgnalion; lhe in,iividualsoul, Prakrti space'time
Narureol Tantrr(Doct nes
earth.water,lireandwind.Thewayof life,by which one tooks upona| lheseas Brahman,ts calledKubcera. .". ktsamgamd tK atikhandd,Chap, . 32) -..,j:-"1!i9 ]" AU;a mears Upjsalas ", lworshipDers) ol Katt.ltspKutatnav,a srarFsrhatKuk meansgatq. a^o that artsesf.o,r Srvaand ra(r. A Tan is called Kaultkarr ne alows .rlar Moksa $ attainedlrom that,i.e. Sivaand Sakr. Siva is ca|ea iiuli, - orna,wor(s,e.s K^r//d aresuggesreo ^LutuasamaB ...9:-11.-'tpalata ll_lir Lp p v riot lr^eSau,songan). " 61.prelace. ta-a\nandd. In sone Tanlrastf.erearelhreeMargas viz. Daksina,Vamaand L|ltara,each succeeotng rp-alhs,. one betng superiorto the preceding one. Daksjna mergais thatwhtchii declaredrn the Veda,Smrtiand purana.yrma is declaredn theVeda,SmrtiandAgama.Ufiarars wharrs dectared by the wordsol the Vedaand oI the Gurr. In some lexts,Acjras are broadlydivided .Aghotaara Yoga.Agharc,s lhe nane ot rne oy Agfo ns, a satva sect Guru1, Sisy+, Diksa!, Abhisekaa Tanlra beltevesthdl one can fake lo sjdDana o-ty when . '',, lraled by lLe gu.rr The guru rnusl have cerratnquat.t w oecloerhe sL labir:lyol a manttalot parttcJ,ar es. de a dtsctplF. . A Ie.n.aleguru is highly suiiabletone,s molher rs one,s best guru.Inrliationby one,sfalheris torbidden. The husbandis nol arowed Io initiatehis wlfe. conceptoi Dlks;iis Vedic.Vedicrnrltattof was a rnust .- _The F:gl-ercastes.I was, however.oenredlo women :'l:..!h:"" rn smrl. tant.ic D/ksi rs more elaborate. and rs allowedeven ro women and Sldras o,erson, ltt for beingGuru,mustbe calm,ol unjmpeachable ^L-A c-drarter, vers€di. SJst,a,lree i.on\ avaflce.trJthlul Buddr sl lanrras. llke lne Jhanastddht,rdenlrty lhe Gul, wilh the Euoona, and regard hrm as omn,scrent. In sone Ta^tras, warningagainsthypocritjcalGurl?shas been sounded.
39
menlionfour c asses ol SomeTantras,e.g. Ntrvanatantrc, patapatd'gLtru andpaQmcsthqutu patanaguru outu<,\t2 , Sa\l' 's T3l Ooddess ir,,,, ncco orrg to lhe Ntlatanlra{V 'Parapara-guru, preceplor is his one's SLvaisParetuesthi-guru' /e g works Sore Patamagutu gu, t, aadou,Lts gutu s Pataot -Ntlatartta vi2 classes gurrs lrree inlo !!.65. 66, drvrde Menavaugha (sages) and Slddhalgha Divyaugha(d! nebe ngs), (humanberngs).ll appearsto dividegultrs.in anotherway rnlo iwo ctasses.vlz . TarAguru(V 64) a.ld Devaguru lv 71) Some alsogivethe aboveclassilcation otherTanlras(e g., Syemairahasya) aI gurus. ll ls slaied lhat the names ol male gurus should end in or r)zitha(e g , [.'latsyendranatha, ;nanda (e.g.,Brahmananda) lemale preceplorsin - amba' the those of Minanalha),and Alter naming some gulus, lhe Nilalantracharacterises lhem as belongingto Tarinikala,i e , a lrneol g{rrusrmpanrnq Tatini-mantralV6a) The positon o! lhe grru amongthe TantricSddhakasis so exaitedlhat he s regardedas even superiorlo ones lather' Ihe Nilatantra.lornstance,ciles the verse (1i 146) ol Manu' which extois the pfeceplor,impartlngVedic inlllatronlo a person,as superlorto the progenitor;obviously,i1 substrlutes ThisTantra,in anolhercontext Tanrrc dlksi for Vediciniliation. (giretol ma,lra) issupenor manlrada declareslhalthe 1V.68) Indian culiure does noi sel iath€r to one's \janakedadhika). musl slore by the physicalbirth ol llesh and blood which is commonto loweranimals.ll lays greaterslresson inlellectua meregenerating as morelmporlantthan andspirluairegeneration the mass ol Ilesh. The wise Indians ot old expressedlhe subllmeldea thatthe body is sureto perish(ekenbvidhvamsD whereas merits lasl through ages \Kabenta-slhAyina guneh) Among olher qua ilies ol a Sisya; he must be respecllul and ook upon lhe Guru, Deva6 and Manlra as one ll ls lncumbent upon h m to keep secrcl lhe manl2 and puja mpartedio hrm by his Gulu He should surrenderhis body. wealth and even lile to the Grru.
40
Nalureol Tanlrc Doctines
The positionof the Tenhc Gutu ts so rmporlant lhat he is consrderpdas capabteof appeasrngeven Srva,l ," u;;ry. bul thA'e s no nea-s Io pacifytne lnd.gnan, ""As mantra Gu,r,. was o6trovedto be erl.e.nelyDowey'Lt. lhe p"rron *no g"u. I Came lo occupy an exalted postlion. paranandasutla(pp jS-j6, Sukas 56,63)cteartysets ,ro_rrh,.nr.Ihe funcrron oi a Grruwno. amo,q ur-er Dra.trce! s,o ,,o asx rne eophyte,who has accepled the r,.e" Mafa,as ol Madya and lUalthonaoflered by him, to tollow rhe iauia eMudra Ihe l\,4ahenirvana slales (V 201 202) lnat lhe person of the s?me sect, Saiva, Vaisnava,Saura or canapatya, as ^S;kti, thal ol lhe S/sya can be his Guru. s o r m o o r l a ni L , d tr n e K U l a / n c r d , , t , , b J - - , Kthp a u l Mahantvana acatawas a-o |v.42r nald rnat o-e Ltno nds stroreo lhe Vedab-.ul is ignoranlol Kuladharma, is nteflorto a Candata.
A:"l;;f"*"n,
awateot Kutadharma, is supenorto a
lo the Mah6nituena,a)|, itom Btahmanas to the _.nccording untouchables, have right tO Kula practices.Some, however. hold lhat^one,who has nol conqlered one,s senses,has no
;:ilJ",i,lXH:""'.
rhepara "ommentatoror suramakatpasutra.
has been exhaustivetydeali with in some well ,,-Drksa6 (_own ldntras.e.q..prcpahcasaratv.v,t,Kutarnava la SS tt) 5at,adat,tta^a. ,Palala4r. Jnananava tpalata 24t p!anabstnt 1 t ) . - M G n a r t r v alnXa. 1 1 2 - 1 1 9 ) . l t h a s b e e n O , s - J s s e o ,t1n e ,4 u,AsapraA,)sika ot vrsnubha d, pt,prt ol satyan"noanathd. composedin Sakt j7j9 (j797 A.D.). Dlksd is generaltyderivedrrom lhe root dd (to ^ ^11"-y9rd grve). and ks/ (to destroy).Thus, it rneanslhal rl conters on the drsctplea dtvineslale or knowledge, ano oestroyssins Diksb is ol two kinds, viz. - consisttngoI puja, homa and olher eriernat r.le€ahlrdiksa
rhe Saltv/ra ieelng is aroused by il. AntatdiksA- it helps ln the awakeningot Ihe kundalin) energy Accordingto some, diksziis ol three kinds viz. Sembhavi- by it the mind is purilied Sakl)- by ii the spirilualenergy aroused. n arouses the power ol manaraano goos. Ihe Visvasara-tantraprovides for four torms oI tlikse' viz Kriyavati, Kaaval) Varnamayi and Vedhamayl These have been defined in lhe Glossary. The Kularrava (XVl) stales seven kinds, viz Kriya, vatna' Kala. Sparsa, Vak, Drk, Manasao According to lhe Rudrayemabe, dlksa is oJ three kinds. vz.. Anavila, Sekti and SdmbhavA. The otherlorms oi diks:i arc Krama, Pancayatana Ekananlra" elc. By dikszia person advanceson the way lo salvationby gellrngthe malas (impurilies)in him removed The malas are Anava - \l causes the rise oJ the narrow/Jvahoodof Siva, wllhoulits remova the realisationof the identityoi Saktlrs not possible. Buddhigala -by rcmoving il one acquires real knowledge i\ 's the cause ot Ahamkdra,tne 'ool ol Mdyiya the knowledgeol vlsayaand vlsayln Salvalion is not possiblewiihout ils removal. ^,|anlri -
Accordingto Ihe Ke vi6sa Tantra\vi 3'4),lhe besl lrme for Diksa is Svati Naksalraon Fridayon the ftlh tilhi of the dark hal ol Phalguna. fhe Saktisamgama \f dr,ikhanda,xvii.36-38)holdsthal an eclipse oi ihe sun or the moon, parlicularlythe latter,is lhe best t me when consideralionii necessaryregardingihe week day. tilhi,naksatn, month,etc.The Jnarartava (quoted n ihe Srnrli-digest,Ninayasndhu p. 67) prelers lhe solar eclipse
:Chapter-2 The Yogini!anlra,quoted in the same worx, conoemns Dlksa on a lunar ecliDse, The conceptot Djkszj(initiation) is not new in Tantra.lt has . oeen an age-otdone havingprevailedsincevedic limes. In the Rgveda, lhe wotd djksd is used as the name oi the wife of Soma.In lhe Purdnas,it rs the name ot the wile ot Budra uora o RLdraVamadeva.In the Mahabhetab.Har,vamss.s1".,i61 wo'OOenolesany seriouspreparalton(as tor oa le). lr words rKe ,teha.otAsa, srngara-diksa,etc. diksi rneans seli.devo o'r lo a person or god, complete resignalionor restricllon to, exctuslveoccupationwith. eic. ln the Vpdic sacra,nenlol lJpanayana,Inrt,altonby lhe 4ca.ya i essentjal. The idea u')delytngA,lsa is regenerat,o". 's ln s./s c,ear tron lhe word d/lva ttwtce-bornl.By upanayana one is born lor the secondtime;that is, alter receivingphys cal bi-lF lrom th4 parents, a persor gets lhe second o rlr. . e., Inrelec'Laland sprritualb,rlh lrom lhe preceptor. AnateyaBrehmana(i. 3) cleartybr,.gs oJt thF tr
Natureol TantricDoclrines The BuddhistsTantra,enlilled Guhya-sam'ja' t€minds one it .t lhe aforeasaid secrel socielies. In this conneclion, initialion ol Buddhist general principles ;eselves nolicethatthe lribal ,re fe euea lo have been influencedby the systemof nilialron' lnit ation ol a special type is called abhiseka. Abhisekas oi drllerenlkindsate applicableto disciplesin ditlerentslages ot spiritual lile. These arc \i) S1ktebhiseka' (ii) Pitnebhiseka, lv) ,, ji K'amadiksabhtseka. (iv) Sdmdiyabh6eka l) lv YogadtksabhEeka MahasamraDabhtseKa \\i) eka. p i ksebhis M u na' d ka ah a Pranacliksa bhise l\iiiJ The lirst lwo are lhe mosi important.Abhlsekaconsists n sprinklingholy waler on the neophytewhile recrlingmanlras ro Dropliate dilferentdeilies,especiallytor warding oll evil spirits,For Purrabhlseka,one has to undergosevereoroeals; t rs beiievedto confer divinityon the devolee Mudre, Mandala, Yantn, NYAsa Mandalas ot diagtams are an indaspensableilem in Tanlric worsho. ll also becamean essentialteaturein some orthodox Brahmanca rites and ritualsIhe JfrAnernava(xxiv.8-10,xxvi. 15-17) holds thal Manclala and Cakra ate svnonymous. lt describes seve?l Mandalas f h e S e r a d e i h A a( l l l . 1 1 3 ' 1 1 8 1, 3 1 - 1 3 41, 3 5 ' 1 3 9 )a n d s o m e otherworks describesome Mardalas. Both Hinduand BuddhistTantrasattachgreai imporlance \a Mandalas. Some Tankas, e.g., Mahenirv^na (X. 137_138)' telq \a Mandatas drawn with coloured powders ln lhe Maitiusrinfrtakalpa, Mandalasare describedwith speciald irection lor painling Ihe.r'.fhe GuhyasamAjaspeaks ol a Mandala 01 s xleen cu6its wllh a Cakn inside. fhe Nispanna'yogevali oI Abhayzikaragupta of the lime ol the Bengal king Rimapdla (111h-12th cent-) describeslwenty'six Mandalas,each in a separatechapter, Some of lhe Mahadalas are SaNatobhadrc' Caturlingatobhadra, P reseda-vestu-mandala,Grhav6stu-nandala, H ai hara'
Chapler-2 mandala.Ekaljngato-bhadra.IheSarvatobhadra(auspcrouson all srdes)has been common to all ktnds of worship. The wo"d ldandalaalso denoles a gatheringof T;jntric devoteeswho collectrvely perlormflluals involvingpancama, karas. They, along with lheir female partners,surroundlhe ead-r tndal,a) wFo. dccorrDa.iedoV tss conso,..s,,: - ,.e ':gdle- The Kautavaltnnnaya \V|t, and the Manant^ana\vt,l I54 56) deal w)lh Mandata. MudrA is one ol lhe Makans ot padcalattvas, essenlial lor Tanr,rc gener.lly means poses o ne nano or _Sddhalia.lr r_ger esotenc rneaningsot lhe woro nave oeFn s.aled rn connex/onwith Paficatattva.IheKubrnava (xvll.S7) derrves the word irom rool mud (to give delignt,pleasurelanO.dravay' (causalrveor.dru), and says thal ii s so called as il grves oerrghlto gods, and rneJtiheir mjnds Slt:de kkl (XX 106) atso gives rhe erymotogical ^-:,h: or th: wolg as that by whrcha gods are detigliled. TjanrnS r ne commentalor, Rjghavabhaltam der veslhe wordas mudam rati daddti \that which g'ves detight). a greardivergenceamongthe Tantrasregarding ."^ rne Il-.-r:'. names,numberand deltnilionol MudrAs.fheTbntric Texti (l p.46{) containalislol f,4udreswtthnames and delrnritons. l r _ , s l d t e d. n a rA v d D r naj n d e t g h o t l h e r sa r e r n en r - ec o T n o n tvtuot.aslhen nrneteenMuorras espectallysuttdbp lor V sn.r wors- o are me.ltoned.Ten M{rdlas.sutlable lor Srvd, d.e enumeraled.One lor lhe worshipof lhe sun and seven for lhal Lranesaare rnenlionedThe i/tudramghantu alsa, a.res ano oF'lnes nlne Mudrcs r'cludT,g Avahant. Then ,l , are<, 19 tutuotas.I be Natadatanlra, quored:n tne VatsaKnraAaumdt ol u,ovlnoonand6,desc,tbesthe ltludtas specatty sJ,ldote !o. fhe Serade hka (XX t. 106-114)namesand deJrnes ,, nine Mudras.fhe.Jhenernava (iv.3j _47,S1-56,XV.46_68) nrenlrons over lhl.fv Mudras TtseJayakhya-samhla {palala8) ncnrrons Il'IV elgnl. lhe ViSnusa4jhtla lv 45) says lhat A,lttJtas ate lnn!meraoe, I namesan.r,jefinesaboltthirly.The Kamakalavjtasa
Nalureoi Tanlrc Doclrines
relers(verses46, 47) to nine Mudrasfhe Nlyesodesika
-.. Son" olre, noledTanlras.oedr'ngwilh IVLdrdt " "nr,on" " (xv 90_931KaulavatLntnaVavii5'14\' KuE'nava e -.; 1Y177) MahenirvAna ' ate fhe nne Mudras,describedin the Saftdatilaka'r 1 2 l.
I a 6
7
a
I
Foldingboth hands in a hollow Lllrngthe hollowlullY with llowers Sthepani Same as lhe above,bul the lolded hands are held upsldedown Sannidhepana-fwo handsformedinto a closed||sl, and joined togetherwith only lhe lhumbs raLseoup. Sannipdhani- Same as lhe above with lhe lhumbs closed inside lhe list
AvehanA-
Sammukhikaani Two closed tisls hed upwards Sakaiikrti- Action ol maklng lhe Nyasa ot the srx limbson ihe limbsol the imageot lhe de ly wofsnppeo. Avagunthana- Closingthe f ngers he d straightand turned downward'wavingthe hand rouno lne lmage. Pultinglhe right small tinger over lhe nghl Dhenu inlertwininglhe lormerw lh the ring_irnger, the left smalllingef,as it s, lelt ring-linger, to be inlertwinedwllh the right I ng-linger, the left linger to be passed over the ell midde fingerand the lefl thumb' and lo be intertwned withthe righthandmiddlefinger broughtto lhe right side ol the leli index lingerand ihe righthand indexlingerlo be joined with lhe leil hand middle lrnger' Mahemudre- Inierlwiningthe lhumbs ol both hands and holdingthe other lingers slrarghl
Natureol TantricDoctrines
ssn2(DeccanCollegel\4S.No.29.jor t887 ^. )ieats .Ihe,Mud.rata4 9r wrthMud.zisappropnatefor ile worshrD ot V.snuand
; I!i.i!,,!i!t',: H:fr : ilEi:;;:: i:J: * :i,T;!' ri: emproyed: e,s..s"*"-s.^*"olia-*.Jii,i"t"1l*l'j,, l:i:"';:
j!-':;':;':::'#r:::i1;ff JH::,l-,:JI#1':'l;:11# i.: Dossesslonto alll Unmddinilcausingiunacy;.
y:i,1'f" :ni';:ixx::t: i:-ifi!!i'ii!1il1"tr1# (c. 4lh, cent. A,D. accordjnglo somej is the eart:eslexlanl
;:il:,:fJ:
ffji".
descnbe (chap.ri) vanous poses s, rr,g
j. I g.
Tarka-
Bighthandraisedto lhe chestand slighlly conskicled. Sarana (Of refugeor prolection). - (PoseoJ higheslperfeclion) lJttarcbodhini
that both It is, perhaps,not an accidentalcoincidence Hinduand BuddhistTantrasmeniionninecommonMudris'lhe _unbe' rs nrnein bolh.thoughlheir namesvary ln some cases,lhe term mudd appearsto meanYogrc One postureof the body-Twosuchmudfasareverylmportanl. in is Khecariand ihe otheryonl.Thesehavebeendescribed G ossary. on the lhe Jainasalso had Mudriis-They had lwo works23 subjecl.calledMudreviceradesctibing73Mudas and Mudravidht d e s c r b i n1g1 4 . yarlE is anotheressential itemin Tantricrite.Sometimes alsa calledCakra,it is diagramor figure engraved,drawnor difference painled on metal,stone,paperor othermaterials.The n the applicalional Mandalaand Yantrais that, while the in lhe worshipoi anydeity,the latter iormermaybe employed deilyor employed lor theworshipof a parlicular s appropriate particular purpose. Ior a fhe KulArnavadetives Yantrafrom lhe root ol yantt. At anolherplace,r1slatesthatyartrais so calledas it savesthe fromYamaor Godof Dealhand goblinsand other worshrpper dangers.Again,it saysthal yattra is so calledas it removes yanlranasot painsatisingfrom suchfaulls as loveand anger. or ThisTantrastates(vi.85)thatyanlfais a developmenl ptodrcl ol mantra.Ihe Kaulavalinitnaya holds that worship wilhaul a yantra is lutile. Some wo(ks, e.9., Merutantra {XXXlll. 13) evolveda yantrc-gayall. lt appearsthal yantra of lhe mind.yanlra theconcentralion wasdesigned to facililate s regardedas ihe body ol lhe deity. Tantraqwhich The followingare sone ol lhe well-known yanlras. deal with
*!:iTi,i\:f :]zlli:;,i:I;i:"##*::'#':"1","i:Tii ;"fi:il:J,:'.":'J,i:; :#isy:-,!:.:jT!il":r::#13ffi
srghtty ditfer lrom Waddells descnptroi: 1. 2. 3.
4. 5.
6.
Bhim6prc ot Bh1misparasa,j_ An attitude oi Sdkya Buddha (makjngthe earth a witness) Dhatmacakra - lfeaching attjtude) nbhaya (ble.:1s,];,The. tetl hand rs open o, ltse Jap Ine flghl nand raised In lronr ot lhe chest wlrn lhe ttngersand lhumb ha,l exlenoed and with the palm facing lorward. Jnana (Dlvena?) ot padmasaDa(posture of comemptatlon). VaG or Vatada,2- Right hand hanging down over lhe Knee,the paln turnedoutwardsyrrboltstng cnafllv, Lalila - (Enchanting).
47
NatufeoJTantricDoctrnes Prapafrcaserc (patalas 21, 34), Sarcda hka Nii. 53-56. XXIV\, Kdmak'lavitesa 1VV.22..26. 29, 30, 33), Nityasoclas e,i,ava ll. 31-43), Nttyalsava|p.p.6.64-65), Tan!Hrcp-tantra\|.44.51 viil. 30,f. xxxiii),Abhlbudhnya \Chaps. 23-26),Man!@mahodadhi (20th Taranga), Kautajnana,nhnaya \XJ, KaulavaliDirnavaliii. 105-135).Meru(Prakasa 33), Mantra-maharnava(Ultarakhanda. T a . a r g aI I ) . Yantra,drawnon cloth,leal, stone,melal,etc., is a svmboi or geomet'icalligure representtnga oetty.It ts conceivedas lhe body or abode ol a deity_In some cases, il is taken to represenlmentailaculliesorpure consciOusness, and microcosm ol lhe human bodv. Someyanlrasare prescribedfor malevolenipurposes.For example, lhe Seraddtilaka (vii. 58-59) prescflDes an Aqneva_ yanlra lo be drawn on a garment gatheredlro,n a p,;e ,n a cemeteryand buriednearthe houseofhis enemvtor lhe laiter,s destrucllon.Two yantas tot lhe destrucnonot ihe enemy are described (xxiv. 17-18, 19-21). The p G pa hacasera ]Xxxi;.3g) proytdes a yantralor rousing passion jn a woman, and makino her run lO lhe persor concerned.Some orherTa-tras.Oealini wlh yantta, ate lhe candhaya. pti), Uatr*ameOa Vt A li Kula.nava (vi. x\ii). Sakttsatngama, TaG. x 2A3. LL2, Purascaryafiava.lvi), Ianlrasafaol Krsnananda,Saundarvalaheri lxr) Besidesthe worship of yartras, there is provision{e.o.. Tant6Hlarantra,Patale8. verses30.32) tor wear -g thern;r Ine neao, arms, nec,\,warst or wrisi A very interesting yantra is thal called S/r. lt symbolises crealion There is a cenlraldownward-pojnting irianglewhich rs red. There are several interwovenlriangles, four male pornlrngupward,and tour female pojnling downward. Their Inlerpenelralion resulls in circuils ol lesser lriangles,which appearlo showlhe subdrvision ot the ofigrnatcreal,vee-e,gies 'nlo more deftnle forces. There are outer ctrclesand r 'rgs ol lotus-pelalssymbolisingthe !niolded beauty ol the w;fld. Thus, all lhe differentstages ol the creativeprocessapoear
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to be al one place. yanlra,see Glossary For var ous meaningsof lhe lerm (to cast) The term Nyzisais derived frorn the rool as 'rl, and ljterallymeans plac ng or depositingin precededby or on somelnlnu Accordinqto lhe Kubnava' Nyasa is so called because' way are in it. lhe ric-heslhal are acquired in a righleous prolection is deoosiied,placedwith personswherebyall-round wrth limbs noi- So uu t'" rilual touch oi lhe chest and other with it. r"o"irlp. and lhe palm of the rghi-hand along bad oi mrdsl -ant.ai. tne worstrippercan acl fearlesslyin the people and becomes like a god fhe layekhya'samhttA \Palala x . 1 3 ) a s o e x p r e s s e sa s l m l l a rl o e a Nyisa rs an imporlanlparl of Tantricriies ll means lne body rnysti;a sanclilcationof the severalparts or limbsol the It has been dealt wi1h,inter atia in the tolLowingTanlras: (vl) Kuta'nava Java| hva'samhla \Palala xl\ ' PGpahcasan tll ''l Mahanttvena tN 181h.SaGdautdka(|v,29-a1 V 5'Tt TantBsa'a s ttx K64ananda rua'tanlQ 2) 43.V 1 3 1'8, Gandha o 169 Puuscarvatra'a P 93, fa^Gn an.3. TarrsaktrcudhanavaV ate Hamsanyasa' Nyasas xii.p. 1166.Someol lhe well-known Anganyasa Kannyasa Pranavanyasa,Matrkanyasa,Manlanyasa' p'tn"iru""u.Each of ihese is accompaniedby a manlra Fal om examie, in Anganyasa, one has to rc'ile lhe mantra elc svaha h,Clayayanamah am Strasc Kelt' Six kinds ol Nyesas are applied in regard 1o VidyAs I is as according is two_lold Tzire,elc. ln Metkenyesa,which 10 be are (Matlkas) letters antah (inlernal)or bahih The Sakti (84a) rectum e"i"rnrty te t on tl" f'ead IBSI),lacelchandas)' leqs (Saktr)the enlire body (Kilaka) which the MahAniNena|V176'178)specitiesthe limbson is This alphabet ol lhe letters there should be Nydsa ol the Reghavabhana's 58l' or"""riU"O a"o in lhe Serad6tilakalV quolesverseslaying iommeniaryon v +ol ol the same work
N a l u r eo l T a n l f r cD o c t r i n e s
down how each leter is to be meditaled upon. Woodrof,e
pp.LxxrLxxvrl) corroaresNyasaw\n
'-e ::,:,:,i!": ",Tante. UnrslraOracticeoi ma^,nglhe s g- or tFe cross. SAVA.SADHANAA
Some Tantras prescribe Saya sadhana The Kaulavalintrnaya\nv.75-260), Tzirjbhakii,sudhdrnava (x. pp. S45 ff.)
(vr. rs.28) erc.. oa, w l I Ar.rone
Z'^o^^:._!-ii::":--":/ benqa ianlras l\e Tanlraseato Krsna.andadesc,tbes ,1. fhe Kautavelidescribesit as lo/lows :
go to a cemelery or some ortse,tone,y . ^^ll:^o-"."""]"," :i*'d tn: trrst warch or lhe nighr.a.rd secure a corpse. :?:rjtli: Ine oe"d Oodyshouldbe ol a youngra-dso.ne warro., k,rreo l'or ov Ine devolee)in ba'l'e.He shoutdwast lhe corpso,oi,er and ro Dursa. and ,epear rhe mantra om dlttsp ::.:::^1. ] svJ/ri. ra^sant uuree lf lhe devoteers not scareOoy rerrroie srghlsthal he .nay see. he securesmanlrasldd,i/ aller a lono orocedLre lt rs statedthat manttasjddhiispo."ioi" Lv sadnana even in a single night. "r-uri Caknpijds ll means worship in a cicle. Cakra-puja may be brieity . describedas lollows.The Devrts represenreo In a lanlla.There s-ourooe a teaderot lhe Cakra.On,ype,sonsol lhe y//a slate are lo be admlled, and lFose or ll-e pasu type are to be excluded_The women,who assemble,shoutdpul ofl lheir jnner upper garmentsin a receplacle.Eachoi men, who assemble, should secure a iemale compantonlor thal ntght by ,ol. Le., oy raxrnq a tadys bodtce out oJ lhose contdrnedin the receplacle. Thus,promjscuous sexualinter_course was a owed tn a Cakra_ lr ,s ordained te.g . Kutatnava,x,. 79. 84. B5J Inal the . actvrt es rr a Ca*ra rnuslneverbe disclosed:these should be tike rhe pregnancyot one.s morher caused by l::'-:,::"*t paramour ner
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